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Quote by Kim Hyesoon

“Women in Korean myths disappear after giving birth. The reason they were born is to produce sons.”

Quote by Kim Hyesoon

Author

Kim Hyesoon, born in 1955, is an author whose identity and profession are unknown. Her life story, achievements, and contributions are currently limited in available information, and her impact and evaluation are not yet clear. more

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“I did not have any role model. I could not learn anything from the female voice that male poets used, a voice which is more "feminine" than female. Nor could I learn anything from ancient female poetry that only sang about love, the feeling of farewell and longing for others.”

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“When I became a poet, the Korean literary world expected women poets to sing passively of love. Naturally, this was not written anywhere, but this rule existed nonetheless. Consequently, I received plenty of serious criticism.”

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“My tough and grotesque images were thrown on the roads and were stepped on by my critics, and I was talked about with scorn. I felt regret that readers only seemed to like something they were accustomed to.”

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“Speaking as an outsider is the most authentic voice for a poet. Poets who have one hundred thousand or one million readers [as many South Korean poets do] might not be a real, authentic poet.”

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“I love working with actors. I love visual things. I always intended to be a writer who directs and a director who writes.”

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“There are so many people who are making movies now who can’t get any kind of distribution, so the market seems like it’s flooded.”

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“Poetry is something that disturbs the mainstream with minor things and it is something that breaks down active discrimination with passive things, and it can break down something that polishes the filthy things with filthy things.”

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“Our [western] culture embraces sex addiction. If I drink too much or rack up credit-card debt or lose the rent in Vegas, that's bad. But if I have many lovers, that's good.”

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“It is difficult to disturb the common usage of Korean that is bent to the perspective of a male-oriented society. Korean society is based on both a politics and history that have been disguised as a solid society of solid male poems, a solid written language, fixed rules of how to write literature, and a narrative language.”

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“We carve on our body what society teaches us and continue this task, not knowing the identity they force us to have. This identity is carved on our faces and our skins. Not knowing our bodies have become "the paper made of human meat," we stuff our bodies and make them a theater where cultural symbols or suppressed symbols play.”

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Author:Kim Hyesoon