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Quote by Shubhankar Mishra

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Shubhankar Mishra

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“The pace of this modern age is not conducive to maintaining one’s consciousness. Glued to our electronics, we are blind and deaf to the world around us. Run down by our long work days, we are too exhausted to think and too hurried to feel. The day ends in a haze of strained thoughts, numbness, and fatigue. And we rise the next morning only to start the cycle again. In this age of distraction, if you desire to fritter away your life with empty diversions, there is an abundance of gadgets available to aid you. Quietness is a characteristic of ages gone by. Our generation is the one it died with. Connected to the virtual world, we ignore the presence of those in our home. One can only hope we will awaken to the need for balance before we look up from the screen to find our loved ones have gone, and our life has passed us by.”

“Publishing a book, Watching its ways Force me to look At a screen for days "Be still, be still", My heart screams for life But I must check its sales, It's reviews, its likes. Another Instagram poet Who's dying And doesn't know it, Untying an underlying Knot of desire To be liked and admired For people to love what transpires From my mind, but I'm tired Of the social machine Producing my insecurity Hoping someone will follow me And like all my poetry From this point forth, find me nowhere, Socially unseen, Just on the back porch, without a care And without a screen”

“The simulated perfection that surrounds us is mediated by screens. On every screen we look at it, perfection stares out at us. Screens are everywhere. We are always staring at screens. Cinema screens, TV screens, iPhone screens, computer screens… Screens are omnipresent in our lives. And they are the delivery mechanisms of perfect images of perfect lives. Celebrities, the nobility and the super rich are those with the perfect lives we so envy. They rule the screens.”

“If we talk about the living oracles and want to pay respect to them, how shall we do this? Shall we do it by never reading their words-by paying not attention to that which they say? That is a very poor way of doing. We ought to listen to their words. When we cannot hear their words, we should read them; for they are the words of the authorized servants of God. I feel that there is a great neglect among us in this respect. --CR, 1897, 38, George Q. Cannon (CR is Reports of the General Conferences of the Church)”

“What are we to do with an interactive world in which the demarcation line between subject and object is virtually abolished? That world can no longer either be reflected or represented; it can only be refracted or diffracted now by operations that are, without distinction, operations of brain and screen - the mental operations of a brain that has itself become a screen. The other side of this Integral Reality is that everything operates in an integrated circuit. In the information media - and in our heads too - the image-feedback dominates, the insistent presence of the monitors - this convolution of things that operate in a loop, that connect back round to themselves like a Klein bottle, that fold back into themselves. Perfect reality, in the sense that everything is verified by adherence to, by confusion with, its own image. This process assumes its full magnitude in the visual and media world, but also in everyday, individual life, in our acts and thoughts. Such an automatic refraction affects even our perception of the world, sealing everything, as it were, by a focusing on itself. It is a phenomenon that is particularly marked in the photographic world, where everything is immediately decked out with a context, a culture, a meaning, an idea, disarming any vision and creating a form of blindness condemned by Rafael Sanchez Ferlosio: 'There exists a terrible form of blindness which very few people notice: the blindness that allows you to look and see, but not to see at a stroke without looking. That is how things were before: you didn't look at them, you were happy simply to see them. Everything today is poisoned with duplicity; there is no pure, direct impulse. So, for example, the countryside has become "landscape" or, in other words, a representation of itself ...”

“The ends of the screen continued to exceed the fields of meaning and create others that immediately, and almost through the impetus of their unfolding, cut huge and savage zigzags. Astronomy. The ability of parrots and blackbirds to speak. The diesel engine. The Assyrians. Coffee. Clouds. Screens, screens, and more screens. They were proliferating everywhere, and he had to pay close attention to make sure that no sector failed to be sorted. Fortunately, Dr. Aira had no time to notice the stress he was experiencing. Attention was key, and perhaps no man had ever brought as much of it to bear as he did for that hour. If the circumstances had been less serious, if he had been able to adopt a more frivolous perspective, he could have said that the entire procedure was an incomparable creator of attention, the most exhaustive ever conceived to exercise this noble mental faculty. And it did not require an extraordinary person; a common man could do it (and Dr. Aira would have been quite satisfied to become a common man), for the Cure created all the attention it demanded. It wasn’t like those video games, which are always trying to trick it or avoid it or get one step ahead of it; to continue with this simile, it should be said that the operator of the Cure was his own video game, his own screen, and his own decoys, and that far from defying attention, they nurtured it. Despite all this, the effort was superhuman, and it was yet to be seen if Dr. Aira could hold out till the end.”