Quotessence
Home / Quotes / Quote by Beth Ditto

Quote by Beth Ditto

“I always think that people think that women in music are always angry. I'm not angry. Rock 'n' roll music made by men is so much more over-the-top aggressive than when a women says "you" and they're screaming it, it's like, 'Oh my God!' I'm like, 'Have you heard rock music made by men?'”

Quote by Beth Ditto

Author

Beth Ditto
Beth Ditto

Beth Ditto, born on February 19, 1981, is a talented singer-songwriter known for her distinctive style and strong personality. She stands out in the music industry with her unique blend of rock, pop, and alternative rock. Ditto's voice is powerful and emotional, winning her a dedicated fan base. more

You May Also Like

“My singing - it's who I am, it's all of me and it's my soul. The self expression of using your vocal equipment is not only physical and spiritual, but it's something you can't explain. It's your heart and soul together. Yes, I enjoy acting, but I portray other people. But when I sing, it's just me on that stage, communicating how I feel, how I think and what I believe.”

“Leon Golub was a painter. He was an artist struggling to make it in the New York City art world, but at the same time he was a very political guy, and engaged in the world around him. In the film, we saw how that world eventually encroached into his painting. One of my favorite lines in the film was how he had to be more precise, 'but now the pants have wrinkles, I hated to do it, but I had to do it.'”

“None of our films look alike, we are very dialectical in our approach to each one, and 'Hoop Dreams' was no exception. That's what I love about documentary filmmaking, we never know where the story is going, we don't know what is going to happen next, and we're inside a culture of people that you have to figure out in many ways. It's a relationship between what you thought might have been the story, and what happens in the 'field.' Out of that comes the story, which was exactly what happened with 'Hoop Dreams.'”

“'Hoop Dreams'was an unbelievable struggle. We were trying to raise money in the midst of shooting it, and just explaining to people took a lot of effort. I remember talking to someone who should have gotten it, this person was in Public Television, and they didn't think we had a story, until 'maybe something bad happens to one of the boys.' Besides being somewhat heartless, it was also wrong.”

“What makes 'Hoop Dreams' such a powerful film, is that it carries a message that maybe we can do something about our problems in America, reflected in the resiliency and strength of those families that we portrayed. The film was where we really saw the characters that we care about, interwoven with a analysis that is trying to help the audience understand what is happening in these people's lives. And in what is happening, there is an understanding of the larger power relationships in the world.”

“'Hoop Dreams' brought us back to our roots in veríté filmmaking. What we saw in the powerful emotional scenes within it - at nearly three hours long and with no star power - was an outreach to a different and more important audiences. There were the similarly involved folks who saw it that were part of the struggle, but there was also a new audience that weren't empathetic or sympathetic to the people we were portraying. They would never watch a film about inner city families, but they watched 'Hoop Dreams.'”