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Quote by Rachel Kushner

“I do study Marcel Proust, for multiple technical virtuosities but also his swerve, as you say, between characters and in scenes. Certain films can help for that, too, in terms of understanding how multiple conversations at a table, or in a room, can take place and remain separate, and dissonant, and also gather themselves, accidentally, into a collective rhythm and an affect.”

Quote by Rachel Kushner

Author

Rachel Kushner (b. 1968) is an acclaimed American novelist, essayist, and short story writer. Her notable works include Telex from Cuba, The Flamethrowers, and The Mars Room. Known for her historical depth, complex narratives, and sharp cultural critique, Kushner explores American history, politics, and identity through richly layered prose. Her novel The Mars Room was a finalist for the 2018 Booker Prize and Pulitzer Prize. more

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“There is greatness in the fear of God, contentment in faith of God, and honour in humility.”

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“While it might be true that our reality would suggest that more writers would address these elemental issues of modern life - work, the marketplace, brutality, race - I'm not sure I have enough of a sense in aggregate of what the dominant novelists are doing to comment on why less do, or if less do. Maybe that's partly because I don't feel woven into any kind of fabric of contemporaries; I just read what I read, and do what I do.”

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“Violence, factory politics - these things simply form some bedrock of what interests me, but I'm a child of the twentieth century. And I don't see reality and its violence, wars, oppression, etc., and fiction as counterposed.”

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“I like to think each writer is doing his or her part. Feeding the lake, as Jean Rhys said. And maybe there are different lakes.”

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“I do not consciously reclaim. I am not those "some readers" and so I think it would be impossible for me to see my work that way, as reclaiming a preserve. I write in a way that is aimed at all levels - conscious and unconscious - at pleasing the kind of reader I am. Some of the authors I read are male, some are female, and some are even in between. And speaking of in between, maybe now is as good a moment as any to point out that there might be no "feminine" or "masculine" literary sensibility, or sensibility generally.”

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“There is no single formula for good sentence. An invisible integument that gives the sentence wholeness and musicality, sometimes. But other times, the formula is almost purely one of context. And yet other times, of sheer precision of meaning. This is a good sentence: "Just as he was settling into the warm mud of alcoholic gloom, Shrike caught his arm." "Warm mud of alcoholic gloom" is exact and right and accurate.”

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“I guess I still feel that way and yet I'm slightly hesitant to insist on that idea, that it "better be fun for the writer." Or rather, that if it is, then the pleasure is a sign that it's good. Maybe I feel I've read that somewhere, other writers saying it, and I just think there is possibly no formula, and I don't like to read an interview with a writer where they just lay out the doxa of what quality is. It can seem brittle to do that.”

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