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Quote by Bradford Cox

“A lot of Appalachian music has a certain haunted, foggy feel to it; a certain sinister quality. And that transcends who is singing it. I think it's good if an artist can represent some kind of culture that they either aspire to ignite, or that they themselves experience.”

Quote by Bradford Cox

Author

Bradford Cox, born on May 15, 1982, is an accomplished American singer known for his unique musical style and profound lyrics. He is a prominent figure in the independent music scene. more

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“I'm real critical of myself. I think a lot of what I've done is boring indie rock. I didn't intend it to be that way, but somehow milk gets added to everything.”

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“When I do a record, it sounds more punk and raw. Or it will sound louder, or it will sound more shocking. Or mind-boggling. I'll be trying to figure it out, but once I've got it figured out I'll be like, I know this; I know where this came from. I think art is most interesting when the intention is not clear.”

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“Usually I'm not really conscious of what's going on. I don't have a lot of memories onstage. At all.”

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“That's a skill that I'm proud of: to be able to be a jazz musician and go a bit crazy sometimes and other times be able to pull it all in and lay it down like a track.”

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“The first thing I think I ever played in public, aside from singing in church, would have been - and this is a true story - when I was about nine or 10 years old, I was obsessed with Twin Peaks. I played the theme from Twin Peaks on a little tiny Casio keyboard. People politely applauded. I just fell in love with that song and thought it was very heartbreaking.”

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“We didn't have MTV, and I was desperate for something. You know, you're young, you want something off the beaten path. And Twin Peaks was like, surrealism on network TV.”

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“I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.”

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“I think teenagers just don't have the persistence to pretend to like something they don't anymore. I used to do that - make myself like stuff that didn't immediately appeal to me. When you're 17 and checking out John Cage records from the library. It's not like it's got the hooks of a Ramones record, or a Beach Boys record. But at the same time, you're like, I know there's something in here that I'm supposed to understand. And then eventually you find it.”

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“Sometimes I'll write a song first and then I'm like, "Oh this person will be great on this song." But there are some artists I know what want, like off the top I knew I wanted Brandy and Faith Evans. Their music is like the soundtrack to my life, so it was a personal thing for me. So once they said yes, I wrote songs specifically for them.”

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“There's not much radio in the UK, really. In America, you're in a car, factory, wherever, and you turn the dial on the radio, and can hear about a million stations. Hardly any in England.”

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