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Quote by Fanny Kemble

Work

Journal of a Residence on a Georgian Plantation in 1838-1839

This book offers an intimate look into the daily experiences and social dynamics of a Georgia plantation during the 1830s, providing readers with a firsthand perspective on the era's cultural and social landscape. more

Author

Fanny Kemble
Fanny Kemble

Fanny Kemble was a distinguished 19th-century English actress and writer. Born on November 27, 1809, and passing away on January 15, 1893, she was renowned for her acting prowess and literary contributions. Kemble's career on the stage was marked by her remarkable performances in Shakespearean and contemporary plays, and her transition to writing after her retirement from acting resulted in several notable works, including memoirs that offered a unique perspective on the life of an actress in the 19th century. She was also a vocal advocate for social and political issues, including women's rights and the abolition of slavery. more

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“Politics of all sorts, I confess, are far beyond my limited powers of comprehension. Those of this country as far as I have been able to observe, resolve themselves into two great motives. The aristocratic desire of elevation and separation, and the democratic desire of demolishing and levelling.”

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Book:Journal of a Residence in America
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“My chief time for reading is at night while brushing my hair before I go to bed, and as you may suppose, but little profit and pleasure can be derived from such mere sips at the well of knowledge. 'Tis a great privation to me, for my desire for information increases instead of diminishing, and I look forward with great anxiety to the time when I can improve my poor neglected mind and learn some of the few exhaustless store of things which I wish to know.”

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Book:Fanny, the American Kemble: her journals and unpublished letters
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“great artists can be uncertain. Of course they are while strugggling to find solutions. Tolstoi's scripts are almost indecipherable. Emily Dickinson provided four or more alternates for every word; Beethoven wrestled with endings to the point of exhaustion; in our day Jerome Robbins and his lack of decision are a byword in the dance profession. But all of these knew very well what they did not want, and what they did not want was the current coin, the well-worn usage. What they wanted was something newly experienced, and therefore unknown and hard to attain.”

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Author:Agnes de Mille
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