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Elisabeth Egan

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“My father..." Daisy began, then bit her lip. This man was her father's business partner. It was not appropriate to run to Westcliff with complaints. But the patience in his expression encouraged her to continue. "He called me a parasite," she said, keeping her voice soft to avoid disturbing Lillian. "He asked me to tell him how the world has benefitted from my existence, or what I had done for anyone." "And your reply?" Westcliff asked. "I... couldn't think of anything to say." Westcliff's coffee-colored eyes were unfathomable. He made a gesture for her to approach the settee, and she obeyed. To her astonishment, he took her hand in his and gripped it warmly. The usually circumspect earl had never done such a thing before. "Daisy," Westcliff said gently, "most lives are not distinguished by great achievements. They are measured by an infinite number of small ones. Each time you do a kindness for someone or bring a smile to his face, it gives your life meaning. Never doubt your value, little friend. The world would be a dismal place without Daisy Bowman in it.”

“But in this case,” he continues, tracing the line of the plasterwork with one finger, “I feel that there is one cliché that sums up my position so admirably that it would be pure egotism to attempt a more interesting periphrasis. Plain speaking, therefore, there is to be. “There is undoubtedly a strong possibility, notwithstanding the vagaries of contingency and misfortune, that my son might have fallen—or might, we could say, have voluntarily jumped, in accordance with the ethical codes with which he has been brought up—for a play you have made with some success, although, as I am persuaded you would concede, very little originality.” Plain speaking if you’re Henry James, perhaps.”

“Here, this is for you," the girl said, holding out one of the pages on which she'd been drawing. "Oh, I... well, thank you." Meg reached out and took the sketch between her fingers. Gazing down, her eyes widened. Instead of the typical childish scribble she'd expected, she discovered two well-rendered figures. The style was a bit loose, and still immature with a tendency to distort the proportions. Even so, it was refined enough enough to have captured remarkably accurate likenesses of her and Cade seated side by side on the sofa. Esme might be only be nine years of age, but already she was an exceptional artist, better than many adults would ever hope to be. "This is... extraordinary," Meg said. "It's you and Cade," the girl offered, clutching a small fist against her yellow wool skirt. "Do you like it?" "I most certainly do. How could I not? You've drawn Cade and me so perfectly. It's beautiful." The girl's oval features came alive with a pleased smile. "Good night, Miss Amberley. I'm glad you're going to be my sister." At a sudden loss for what she knew would never be, Meg settled on the only honest reply she could offer. "Sweet dreams, Esme.”