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Quote by Alan Moore

Work

Watchmen

Set in an alternate history, Watchmen delves into the lives of costumed vigilantes, examining themes of power, identity, and the human condition. The story is rich with intricate plotlines and philosophical musings, making it a seminal work in the genre. more

Author

Alan Moore
Alan Moore

Alan Moore is a renowned British writer, best known for his exceptional contributions to the comic book industry. His works, such as 'V for Vendetta', 'Watchmen', and 'The League of Extraordinary Gentlemen', are considered classics of modern comics. Moore is praised for his unique narrative style and in-depth exploration of complex themes. more

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“Min mors sorg var primitiv og altomfattende: Den sugede ilten ud af luften. En tung, bedøvet fornemmelse fyldte mit hoved og min krop hver gang jeg kom hjem. Ingen af os – hverken min bror eller jeg selv, og da slet ikke min mor – fandt trøst i hinandens selskab. Vi var bare i eksil sammen, fanget i en fælles lidelse. For første gang var jeg bevidst om, at jeg blev grebet af åndelig ensomhed, og jeg kiggede ud på gaden, vendte mig mod de drømmende og melankolske indre anelser, der var blevet den eneste lindring fra det jeg hurtigt opfattede som en tilstand af tab og nederlag.”

“I remember waking in a field. The sun is above me. It has a face but not like mine. Its eyes are closed. I'm wearing a gown made of the hair we'd never grown. The gown stretches behind me as I walk, winding and clinging against the landscape as if to wed me to it. It pulls the roots of my scalp so wide and far apart you can see straight into my brain, the mounds and nubs there, holes and powder. Beneath the dirt, the blood is dry. Enmassed dreams of the dead hold up the lattice of the unnamed landscape. Where I'd already walked I knew I could not walk back. The light of day is near and thin with no one waiting.”

“Лёвин помнил, как в то время, когда Николай был в периоде набожности, постов, монахов, служб церковных, когда он искал в религии помощи, узды на свою страстную натуру, никто не только не поддержал его, но все, и он сам, смеялись над ним. Его дразнили, звали его Ноем, монахом; а когда его прорвало, никто не помог ему, а все с ужасом и омерзением отвернулись.”

“I think about what makes us lonely on a recent subway ride from Brooklyn to Manhattan. As the train hurtles over the Manhattan Bridge, the subway car is silent, save for the muffled beats of a pop song. A woman up front is reading a book, and a few commuters are dozing. The rest of us are glued to our devices: heads bent, earbuds in, fingers scrolling. The trains sputters and then stops completely mid-bridge; plugged into our own curated digital landscapes, no one looks up. What was once a period of contemplation, boredom, small talk, confrontations, maybe even some light flirting, has been replaced by screens. In addition to filling the blank spaces in our day, our phones double as a crutch to “lean on when we are socially anxious or uncomfortable,” says Julia Bainbridge, a freelance writer and editor, who, in 2016, launched The Lonely Hour, a podcast dedicated to exploring the condition. The world is unpredictable, but our screens provide a convenient buffer against the possibility of spontaneous human interaction.”

“Technology has sanded away the necessity and inconvenience of interacting with other human beings: We can work from home, order groceries online, stream movies from bed. At the same time, the percentage of Americans who participate in social groups—whether it be social clubs, sports teams, community centers, volunteer organizations, or religious groups—has fallen, Holt-Lunstad says. In a dizzying number of ways, modern life is designed to disengage us from one another.”