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Quote by Megan O'Russell

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How I Magically Messed Up My Life in Four Freakin' Days

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Megan O'Russell

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“the history of literature, so full of Fate's exquisite ironies, has nothing more poignantly ironic, and nothing at the same time more beautifully appropriate, than the publication of Rupert Brooke's noble sonnet-sequence, '1914', a few swift weeks before the death they had imagined, and had already made lovely. Each one of these five sonnets faces, in a quiet exultation, the thought of death, of death for England; and understands, as seldom even English poetry has understood, the unspeakable beauty of the thought”

WarDeathPoetryBeautyFateSacrificeEnglandIronyPatriotismRupert Brooke
Book:Poems of Rupert Brooke, 1905-1911, and 1914
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“He'd never seen the galaxy like this before, so close, so clear, parallel tracks of stars merging and separating, all of it wheeling as one unit across the horizon. It was a secret, he thought, hidden entirely from view when the sun was up, readily forgotten by day. But it was ever present, dominating reality, determining fate, perhaps, its true nature revealed only when the sun went down, only in the alchemy of night. He looked beyond the nebula, into the emptiness that cradled those blazing suns and galaxies all the way to the beginning of time, but as intently as he stared, he still could not fathom it. Never had he felt like such a single, tiny passenger on such a fragile, spinning, speck of a planet as he did right here, in the middle of a desert miles and miles from anyone else.”

SpaceFateDesertGalaxyBeautiful Quotes
Book:Diamonds of Devil's Tail
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“Il n'y a qu'une chose qui puisse arrêter le cheminement d'un peintre et c'est le succès. Van Gogh a vu cela bien avant moi. La peinture est un cheminement dans l'espace - et non dans le temps. Le peintre cherche en permanence la couleur et le style. S'il rencontre le succès, il bloque son style, il le fige. Pourquoi ? Simplement parce que l'acheteur - le marchand - demande uniquement le style qui se vend, le style qui a du succès. Voyez Pablo Picasso, Salvador Dali ou Bernard Buffet...etc, etc. L'artiste connu et reconnu est condamné, à vie, à se copier lui-même ; à copier un moment de son cheminement. Alphonse Daudet disait que le succès (la gloire), c'était la même chose que de fumer un cigare par l'autre bout. Le bout de la braise; donc. Et il avait raison. Mais comme personne n'a le choix - s'agissant du destin - on se situe ici par-delà le bien et le mal et tout jugement moral n'a ici aucune portée *** There is only one thing that can stop the pathway of an artist and this thing is called : success. Van Gogh wrote it long before me. Painting is a pathway through space - and not through time. The painter is constantly looking for new color and new style. If he meets success, he blocks his style, he freezes it. Why ? Simply because the buyer - the merchant - asks only for the style that can be sold, the style that is successful. See Pablo Picasso, Salvador Dali, Bernard Buffet ... etc, etc. The successful artist is therefore condemned, for life, to copy himself; to copy a moment of his pathway. Alphonse Daudet said that success (glory) was the same as smoking a cigar on the other side. The side of the embers. And he was right. But since no one has the choice - when it comes about fate - we are here beyond good and evil and any moral judgment has no value.”

SuccessFatePainting A Canvas
Author:Jean-Michel Rene Souche
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