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Quote by Gabriel García Márquez

“A lost bird appeared in the court and was half an hour jumping around between the spikenard. It sang a progressive note, rising an octave at a time, until it became so acute that it was necessary to imagine it.”

Quote by Gabriel García Márquez

Book:In Evil Hour
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In Evil Hour

In Evil Hour delves into the chilling events that unfold during the late hours of the night, where the line between the ordinary and the extraordinary blurs. The story is a gripping exploration of fear and the unknown, as characters navigate through a world where danger lurks in the shadows. more

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Gabriel García Márquez

Browse famous quotes and profile details for Gabriel García Márquez. more

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“Girl going past clinging to a young man's arm. Putting up her face like a duck to the moon. Drinking joy. Green in her eyes. Spinal curvature. No chin, mouth like a frog. Young man like a pug. Gazing down at his sweetie with the face of a saint reading the works of God. Hold on, maiden, you've got him. He's your boy. Look out, Puggy, that isn't a maiden you see before you, it's a work of imagination. Nail him, girlie. Nail him to the contract. Fly laddie, fly off with your darling vision before she turns into a frow, who spends all her life thinking of what the neighbours think.”

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Book:THE HORSE'S MOUTH
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“The fantastic postulates that there are forces in the outside world, and in our own natures, which we can neither know nor control, and these forces may even constitute the essence of our existence, beneath the comforting rational surface. The fantastic is, moreover, a product of human imagination, perhaps even an excess of imagination. It arises when laws thought to be absolute are transcended, in the borderland between life and death, the animate and the inanimate, the self and the world; it arises when the real turns into the unreal, and the solid presence into vision, dream or hallucination. The fantastic is the unexpected occurrence, the startling novelty which goes contrary to all our expectations of what is possible. The ego multiplies and splits, time and space are distorted.”

ImaginationFantasyHorrorFantasticSupernaturalFantastique
Book:The Fantasy Book: An Illustrated History From Dracula To Tolkien
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“Without imagination, we merely see or hear, and even if we see or hear that the objects of the senses are beautiful, we cannot feel that they are so. The difference is this: in feeling the beauty of objects, we enjoy not only the common, shared pleasures of the senses, but also the private pleasures of the imagination, peculiar to ourselves, and such that we have to struggle to articulate them.”

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Book:Imagination and Time
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“Most people are like sheep. Nice, harmless creatures who want nothing more than to be left alone so they can graze. But then of course there are wolves. Who want nothing more than to eat the sheep. But there’s a third kind of person. The sheepdog. Sheepdogs have fangs like wolves. But their instinct isn’t predation. It’s protection. All they want, what they live for, is to protect the flock.”

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Book:Livia Lone
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“Credeam ca vrea sa calatoreasca, dar imi spune adevaruri pe care le stiu deja, ca nu e nevoie sa plece de pe insula ca sa vada lumea, ca are destule mari si orase in minte. Daca e asa, daca toti le avem, atunci poate ca lumea aceasta, luna si stelele sunt si ele plasmuiri ale mintii, insa ale unei minti cu o deschidere mai larga decat a noastra. Chiar daca cineva ma gandeste, sunt liber sa fac ce vreau. Nu poate fi precum sahul universul acesta care parca s-a gandit la toate, ci mai degraba ca un teatru cu decoruri miscatoare, unde putem trece si prin pereti, daca vrem, dar nu o facem. Caci ramanem fideli propriului sentiment al dramaticului.” (pag 148)”

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Book:Sexing the Cherry
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“As Peret asserts, the value of such stories resides in the fact that they respond to direct social necessity but in a way that is not obvious in a society dominated by what is utilitarian and functional. Rather they represent a natural surplus of imaginative abundance that may confound or reinforce the way we perceive the world, but which never does so in a simple way. Even though they may have no direct social use, they nonetheless embody the actual state of real relations between people.”

StoriesImaginationSurrealismPeret
Book:Dedalus Book of Surrealism 2: The Myth of the World
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