Quotessence
Home / Quotes / Quote by Chimamanda Ngozi Adichie

Quote by Chimamanda Ngozi Adichie

“Ojiugo often asked, 'But are they treating you well? Are they treating you well?' as though the treatment was what mattered, rather than the blighted reality of it all, that he was in a holding center, about to be deported. Nobody behaved normally. They were all under the spell of his misfortune.”

Quote by Chimamanda Ngozi Adichie

Book:Americanah
Create image

Work

Americanah

Americanah is a novel that follows the life of Ifemelu, a young Nigerian woman, as she navigates the complexities of race and identity in the United States. The story is set against the backdrop of Nigeria's political and social landscape, and delves into the challenges faced by immigrants in a new country. The novel explores themes of love, friendship, and the search for belonging, while offering a nuanced look at the African diaspora experience. more

Author

Chimamanda Ngozi Adichie
Chimamanda Ngozi Adichie

Chimamanda Ngozi Adichie is a renowned Nigerian author whose works delve into the intricacies of African life and identity. Born on September 15, 1977, she has garnered international recognition for her novels and short stories. more

You May Also Like

“She knew how to swing her legs on that hyphen that defined and denied who she was: Iranian-American. Neither the first word nor the second really belonged to her. Her place was on the hyphen and on the hyphen she would stay, carrying memories of the one place from which she had come and the other place in which she must succeed. The hyphen was hers-- a space small, and potentially precarious. On the hyphen she would sit, and on the hyphen she would stand, and soon, like a seasoned acrobat, she would balance there perfectly, never falling, never choosing either side over the other, content with walking that thin line.”

Immigration Literature
Book:Together Tea
Create image

“The majority of people who work in the arts will identify themselves as liberal to left wing, often radical left wing. This is going from the poorest artist to the highest paid curators in institutions....But if this is the case—that we are all in a field where everyone is left-wing values then why are we all agreed that the art world is a giant piece of capitalist shit that is relying on private capital that exploits its workers, that exploits it's artists, that relies on unpaid labor? This to me is living proof that art can't change the work and we need to organize. Artists need to realize how little power we all actually have and how power needs to be built. It doesn't come naturally and isn't a divine gift you get by being an artist. --Kerry Guinan”

ArtPoliticsEconomyLaborArt WorldWork Won T Love You Back
Book:Work Won't Love You Back: How Devotion to Our Jobs Keeps Us Exploited, Exhausted, and Alone
Create image

“The only true solutions to complex systemic problems are piecemeal, multi-pronged answers, and they will vary wildly from forest to desert, from city to city, and even between neighborhoods within a single city. Life is messy and civilization even messier. If your answer is ever any less messy, you’re fooling yourself.”

CivilizationComplexityProblem SolvingCivilisationAnswerCivilizationsCivilisationsSystemic ProblemSystemic Problems
Book:The Siege of Skyhold
Create image

“Imagine two incidents of theft. In the first case, a bandit takes something valuable from someone else. Deprived of this important source of wealth, the victim and his family live a life of relative destitution, even as the thief and his family flourish, with nary a thought about the crime that served as the basis of their wealth, nor the fate of those they stole from. Eventually the perpetrator and his family forget about the theft altogether and come to view their wealth as legitimate. In the second case, a bandit also takes something precious from someone else, likewise leaving the victim and his family in a state of relative destitution, even as the robber and his family prosper. But in the second case, the bandit constantly acknowledges that his own prosperity was achieved at the victim’s expense. He explicitly and repeatedly recognizes the state of privation that the victim and his family live in as a result of the crime. He publicly praises the victim at every turn. Yet he nonetheless declines to return the stolen resources. Instead, he continues to actively leverage the seized assets in order to build his own wealth, but incessantly laments the poor state of the victim and his family, and the horror of the crime that was done to them, and insists that someone really ought to do something to help “those people” out. The second scenario describes the practice of land acknowledgments, which have grown increasingly popular in symbolic capitalist spaces in recent years (while the first scenario depicts how the people who do make land acknowledgments describe those who don’t; I’ll leave it to the reader to decide which is worse). One stated purpose of land acknowledgments is to show respect to those who have been dispossessed. But of course, precisely as a function of that very dispossession, there are almost never people from the affected tribes “in the room” to receive these acknowledgments—particularly in symbolic capitalist spaces (where this practice is most pronounced). Instead, these acknowledgments typically consist of non-Indigenous people virtue signaling exclusively to other non-Indigenous people, who nod along approvingly, leading all in attendance to feel good about how enlightened they are … and then everyone gets on with business as usual.”

WokenessNative American HistoryLand Acknowledgement
Book:We Have Never Been Woke: The Cultural Contradictions of a New Elite
Create image

“Totalitarian propaganda perfects the techniques of mass propaganda, but it neither invents them nor originates their themes. These were prepared for them by fifty years of imperialism and disintegration of the nation-state, when the mob entered the scene of European politics. Like the earlier mob leaders, the spokesmen for totalitarian movements possessed an unerring instinct for anything that ordinary party propaganda or public opinion did not care or dare to touch. Everything hidden, everything passed over in silence, became of major significance, regardless of its own intrinsic importance. The mob really believed that truth was whatever respectable society had hypocritically passed over, or covered up with corruption.”

PropagandaImperialismTotalitarianismFake News1969Post TruthTotalitarian MovementTotalitarian Propaganda
Book:The Origins of Totalitarianism
Create image