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Quote by Джулиан Барнс

“Когда говорить правду стало невозможно (поскольку это каралось смертью), пришлось ее маскировать. В еврейской народной традиции маской отчаяния служит танец. А здесь маской правды сделалась ирония. Потому что на нее слух тирана обычно не настроен.”

Quote by Джулиан Барнс

Book:The Noise of Time
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The Noise of Time

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Джулиан Барнс

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“Коль скоро тирания так преуспела в разрушении, что ей стоит разрушить заодно и любовь, умышленно или походя? Тирания требует любви к партии, к государству, к Великому Вождю и Рулевому, к народу. Но от таких великих, благородных, бескорыстных, безусловных «любовей» отвлекает любовь к единственному человеку, буржуазная и волюнтаристская. И в нынешней обстановке людям постоянно угрожает опасность не сохранить себя целиком. Если их последовательно терроризировать, они мутируют, съеживаются, усыхают – все это приемы выживания.”

LoveTiranny
Book:The Noise of Time
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“One of the most serious consequences of the expansion of the supervisory gaze of the state (and the intelligentsia) into the private sphere is the reduction of the difference between the moral and the legal — a difference that, by protecting vital areas of human behavior from official interference, has always been one of the basic guarantees of civil liberty. [...] The state uses individuals' demands for autonomy — demands that are particularly strong among young people, women, the discriminated, and the resentful of all kinds — as bait to trap them in the worst kind of tyranny. By “freeing” men from their ties to family, parish, and neighborhood, protecting them under the immense network of public services that frees them from the need to resort to the help of relatives and friends, offering them the lure of legal protection against the prejudices, antipathies, feelings, and even glances of their peers—legal protection against life, in short— the state actually divides, isolates, and weakens them, cultivating the neurotic susceptibilities that infantilize them, making it impossible for them, on the one hand, to create true bonds with each other and, on the other hand, to survive without state support.”

Political PhilosophyModernitySocial CommentaryLegalityTirannyThe State
Author:Olavo de Carvalho
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“Most people don't enjoy working or what they do, but they do what they have to do earn a living. You agreeing on something because of your expectations. If you expectations are not met . It doesn't mean you didn't consent to it. Just because you don't enjoy it, it doesn't mean you didn't consent to it. Because you are regretting later. It doesn't mean you didn't agree to it. If you can't deal with your own conscience or actions. You don't have to make it their fault.”

Quotes And PhilosophyMale Or FemaleLife Lessons Or Human BehaviorRape Or False RapeConsent Or AgreeExchange Or ContractRegrets Or AccusationsShifting Blame Or Accountability
Author:De philosopher DJ Kyos
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“Can you really see different things in a painting from day to day?" This seemed to genuinely interest the duke. She wasn't certain which part of it fascinated him most, the fact that a painting could change or that she thought it could. "Well, it isn't like a crystal ball. Whereby you see shifting images and the like. But haven't you ever looked at a painting for a length of time, or on more than one occasion, and experienced it differently each time?" Where to begin explaining art to someone who seemed to know nothing about it? Now, if she were dancing with Harry... "Of course. As a young man touring the Continent, I once looked at 'length' at a painting called 'Venus and Mars' by an Italian painter called Veronese. Do you know it? Venus is nude as the day she was born, and Mars is entirely clothed and down on his knees in front of her, and it looks as though Mars is about to give her a pleasuring. And there are cherubs hanging about. I looked at it for quite some time." A... pleasuring. 'God above.' He had her attention now. She was speechless. Everything was astonishing about what he'd just said. She stared up at him, her mind exploding with vivid images, her cheeks going increasingly hotter. She knew the painting. She knew 'precisely' where Mars was kneeling in front of Venus. The duke had said it purposely. Suddenly she was acutely aware of her five senses, as though they were blinking on, one by one, like fireflies in the dark. Most particularly vivid was touch. She was potently aware of his hands: the one resting with firm assurance against her waist, warm there now through the fine silk of her gown, the other enfolding hers. She was acutely aware of his size, and everything that was masculine to her feminine. Goodness. He could certainly look at her for a long time without blinking.”

ArtworkGenevieve And AlexanderPleasuringVenus And Mars
Book:What I Did for a Duke
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