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Quote by Libba Bray

“Do you ever feel that way?" "Lonely?" I search for the words. "Restless. As if you haven't really met yourself yet. As is you'd passed yourself once in the fog, and your heart leapt - 'Ah! There I Am! I've been missing that piece!' But it happens too fast, and then that part of you disappears into the fog again. And you spend the rest of your days looking for it." He nods, and I think he's appeasing me. I feel stupid of having said it. It's sentimental and true, and I've revealed a part of myself I shouldn't have. "Do you know what I think?" Kartik says at last. "What?" "Sometimes, I think you can glimpse it in another.”

Quote by Libba Bray

Book:The Sweet Far Thing
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Work

The Sweet Far Thing

This book is a tale of a journey filled with danger and wonder, as the protagonist embarks on an epic quest that tests their resolve and reveals their true self. more

Author

Libba Bray
Libba Bray

Libba Bray is an American author known for her fantasy and young adult literature. Born on March 11, 1964, she graduated from the College of William & Mary. Bray's works often explore complex relationships and deep emotions, making her a favorite among readers. more

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“His tunic was unbuttoned at the top, and he ran a hand through his blue-black hair before he wordlessly slumped against the wall across from me and slid to the floor. "What do you want?" I demanded. "A moment of peace and quiet," he snapped, rubbing his temples. I paused. "From what?" He massaged his pale skin, making the corners of his eyes go up and down, out and in. He sighed. "From this mess." I sat up farther on my pallet of the hay. I'd never seen him so candid. "That damned bitch is running me ragged," he went on, and dropped his hands from his temples to lean his head against the wall. "You hate me. Imagine how you'd feel if I made you serve in my bedroom. I'm High Lord of the Night Court - not her harlot." So the slurs were true. And I could imagine very easily how much I would hate him - what it would do to me - to be enslaved to someone like that. "Why are you telling me this?" The swagger and nastiness were gone. "Because I'm tired and lonely, and you're the only person I can talk to without putting myself at risk." He let out a low laugh. "How absurd: a High Lord of Prythian and a - " "You can leave if you're just going to insult me." "But I'm so good at it". He flashed one of his grins. I glared at him, but he sighted. "One wrong move tomorrow, Freyre, and we're all doomed.”

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Book:A Court of Thorns and Roses
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WarRememberWinningHistoryGenerationsBooksLonelyAftermathBurialGraveHistory Repeating Itself
Book:Fahrenheit 451
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“Have you ever met someone and felt . . . I don't know how to describe it, felt a chance at having something that eluded you? I don't know . . . Forget I said anything." I knew what he meant. He was describing that moment when you realize that you are lonely. For a time you can be alone and doing fine and never give a thought to living any other way and then you meet someone and suddenly you become lonely. It stabs at you, almost like a physical pain, and you feel both deprived and angry, deprived because you wish to be with that person and angry, because their absence brings you misery. It's a strange feeling, akin to desperation, a feeling that makes you wait by the phone even though you know that the call is an hour away. I was not going to lose my balance. Not yet.”

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“You're reaching out And no one hears you cry You're freaking out again 'Cause all your fears Remind you another dream has come undone You feel so small and lost like you're the only one You wanna scream 'cause you're Desperate You want somebody, just anybody To lay their hands on your soul tonight You want a reason to keep believin' That someday you're gonna see the light You're in the dark There's no one left to call And sleep's your only friend Well even sleep Can't hide you from all those tears And all the pain and all the days You wasted pushin' them away It's your life, it's time you face it”

LostLonelyDesperate
Author:David Archuletta
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“People in our hungry modern world are always scraping at the clay of their hearts. They have a new thought, a new plan, a new syndrome, that now explains why they are the way they are. They have found an old memory that opens up a new wound. They keep on relentlessly, again and again, scraping the clay away from their own hearts. In nature, we do not see the trees, for instance, getting seriously involved in therapeutic analysis of their root systems or the whole stony world that they had to avoid on their way to the light. Each tree grows in two directions at once, into the darkness and out to the light with as many branches and roots as it needs to embody its wild desires.”

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“Ask kin-tsugi, the Japanese art of "golden joinery," in which a broken bowl is fixed and seamed with glow, cracks to the forefront, filled in by gold, rendering the repaired thing more remarkable, honoring its shatter. The result is neither broken nor unbroken, but both at once, shadow, object, corona around an eclipsed sun. Own the ways we break, it seems to say: understand that the fault lines of a mind or body are individual, and honor them.”

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Book:Letter to a Future Lover: Marginalia, Errata, Secrets, Inscriptions, and Other Ephemera Found in Libraries
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