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Libba Bray

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“Sometimes I just want to go in a room and break things and scream. Like, it’s so much pressure all the time and if you get upset or angry, people say, ‘Are you on the rag of something?’ And it’s like I want to say, ‘No. I’m just pissed off right now. Can’t I just be pissed off? How come that’s not okay for me?’ Like my dad will say, ‘I can’t talk to you when you’re hysterical.’ And I’m totally not being hysterical! I’m just mad. And he’s the one losing it. But then I feel embarrassed anyway. So I slap on that smile and pretend everything’s okay even though it’s not.”

“She dances a little jig. "This would make one hell of a TV show, huh?" "Yeah. But no one would believe it." I should let it go. But it's like the hole, like the door, and I have to know. Or at least, I have to ask. "Hey, Dulcie, was any of that real?" She finishes her dance and the wings come to rest. "Who's to say what's real or not?" "Yeah, but--my barometer on reality, not so good since I started going crazy. "Yeah, well, who but the mad would choose to keep on living? In the end, aren't we all just a little crazy?”

“Maybe there’s a heaven, like they say, a place where everything we’ve ever done is noted and recorded, weighed on big karma scales. Maybe not. Maybe this whole thing is just a giant experiment run by aliens who find out human hijinks amusing. Or maybe we’re an abandoned project started by a deity who checked out a long time ago, but we’re still hard-wired to believe, to try to make meaning out of the seemingly random. Maybe we’re all part of the same unconscious stew, dreaming the same dreams, hoping the same hopes, needing the same connection, trying to find it, missing, trying again—each of us playing our parts in the other’s plotlines, just one big ball of human yarn tangled up together. Maybe this is it.”

“One day, as Sarita tended to the wash, Gemma played in the garden. She was a knight, you see, with a sword fashioned out of wood. Most formidable, she was, though I didn't quite know how formidable. As I sat in my study, I heard screaming from outside. I ran to see what the commotion was. Sarita called to me, wide-eyed with fear, "Oh, Mr. Doyle, look- over there!" The tiger had entered the garden and was making his way toward where our Gemma frolicked with her wooden sword. Beside me, our house servant, Raj, drew his blade so stealthily it seemed to simply appear in his hand by magic. But Sarita stayed his hand. "If you run for him with your life, you will provoke the tiger," she advised. "We must wait."... I must tell you that it was the longest moment of my life. No one dared move. No one dared draw a breath. And all the while, Gemma played on, taking no notice until the great cat was upon her. She stood and faced him. They stared at one another as if each wondered what to make of the other, as if they sensed a kindred spirit. At last, Gemma placed her sword upon the ground. "Dear tiger," she said. "You may pass if you are peaceful." The tiger looked at the sword and back at Gemma, and without a sound, it passed on, dissappearing into the jungle." ... "The tiger had gone. He did not come around a gain. But I was a man possessed. The tiger had come too close, you see. I no longer felt safe. I hired the best tracker in Bombay. We hunted for days, tracking the tiger to the mountains there. We found him taking water from a small watering hole. He looked up but he did not charge. He took no notice of us at all but continued to drink. "Sahib, let us go," the boy said. "This tiger means you no harm." He was right, of course. But we had come all that way. The gun was in my hand. The tiger was before us. I took aim and shot it dead on the spot. I sold the tiger's skin for a fortune to a man in Bombay, and he called me brave for it. But it was not courage that brought me to that; it was fear..."But you," he says, smiling with a mix of sadness and pride, "you faced the tiger and survived." ... "The time has come for me to face my tiger, to look him in the eye and see which of us survives." - Mr. Doyle”

“Fate determines your caste. You must accept it and live according to the rules." You can't really believe that!" I do believe it. That man's misfortune is that he cannot accept his caste, his fate." I know that the Indians wear their caste as a mark upon their foreheads for all to see. I know that in England, we have our own unacknowledged caste system. A laborer will never hold a seat in Parliament. Neither will a woman. I don't think I've ever questioned such things until this moment. But what about will and desire? What if someone wants to change things." Kartik keeps his eyes on the room "You cannot change your caste. You cannot go against fate." That means there is no hope of a better life. It is a trap." That is how you see it," he says softly. What do you mean?" It can be a relief to follow the path that has been laid oud for you, to know your course and play your part in it." But how can you be sure that you are following the right course? What if there is no such thing as destiny, only choice?" Then I do not choose to live without destiny," he says with a slight smile.”

“As I write this, we are in an especially divisive era in American politics. There are questions about who holds power, who abuses it, who profits from it, and at what cost to our democracy. It is a time of questions about what makes us American, of shifting identities, inclusion and exclusion, protest, civil and human rights, the strength of our compassion versus the weakness of our fears, and the seductive lure of a mythic "great" past that never was versus the need for the consciousness and responsibility necessary if we are truly to live up to the rich promise of "We the People." We are a country built by immigrants, dreams, daring, and opportunity. We are a country built by the horrors of slavery and genocide, the injustice of racism and exclusion. These realities exist side by side. It is our past and present. The future is unwritten. This is a book about ghosts. For we live in a haunted house.”

“But Gemma, you could change the world." "That should take far more than my power," I say. "True. But change needn't happen all at once. It can be small gestures." "Moments. Do you understand?" He's looking at me differently now, though I cannot say how. I only know I need to look away... We pass by the pools, where the mud larks sift. And for only a few seconds, I let the magic loose again. "Oi! By all the saints!" a boy cries from the river. "Gone off the dock?" an old woman calls. The mud larks break into cackles. "'S not a rock!" he shouts. He races out of the fog, cradling something in his palm. Curiosity gets the better of the others. They crowd about trying to see. In his palm is a smattering of rubies. "We're rich mates! It's a hot bath and a full belly for every one of us!" Kartik eyes me suspiciously. "That was a strange stroke of good fortune." "Yes it was." "I don't suppose that was your doing." "I'm not sure I don't know what you mean," I say. And that is how change happens. One gesture. One person. One moment at a time.”

“After Jericho's illness crippled him and his parents had abandoned him to the state, it was Will who'd stepped in as guardian. He had sheltered Jericho, fed and clothed him, and taught his ward what he could about running the museum and about Diviners. For that, Jericho supposed he owed him a debt. But Will hadn't given Jericho the parts that mattered most. He hadn't given himself. The two of them had never gone fishing in a cold stream early on a summer's day and shared their thoughts on love and life while they watched the sun draw the curling morning mist from the water. They'd never discussed how to find one's place in the world, never talked of fathers and sons, or what makes someone a man. No. He and Will spoke in newspaper articles about ghosts. They conversed through the careful curation of supernatural knickknacks. And Jericho couldn't help but feel cheated at how little he'd gotten when he'd needed so much more. Why was there so much silence between men?”

“Do you ever feel that way?" "Lonely?" I search for the words. "Restless. As if you haven't really met yourself yet. As is you'd passed yourself once in the fog, and your heart leapt - 'Ah! There I Am! I've been missing that piece!' But it happens too fast, and then that part of you disappears into the fog again. And you spend the rest of your days looking for it." He nods, and I think he's appeasing me. I feel stupid of having said it. It's sentimental and true, and I've revealed a part of myself I shouldn't have. "Do you know what I think?" Kartik says at last. "What?" "Sometimes, I think you can glimpse it in another.”

“There is much asked and only so much I think I can or should answer, and so, in this post I would like to give a few thoughts on what seemed to be the overwhelming question: “WHY?” And here is the best answer I can give: Because. Because sometimes, life is damned unfair. Because sometimes, we lose people we love and it hurts deeply. Because sometimes, as the writer, you have to put your characters in harm’s way and be willing to go there if it is the right thing for your book, even if it grieves you to do it. Because sometimes there aren’t really answers to our questions except for what we discover, the meaning we assign them over time. Because acceptance is yet another of life’s “here’s a side of hurt” lessons and it is never truly acceptance unless it has cost us something to arrive there. Why, you ask? Because, I answer. Inadequate yet true.”

“My whole life I’ve been ordered about. Now I shall give the orders.” I’ve never seen Felicity so wounded. “Not me,” she says. “I never ordered you about.” “Oh, Fee.” The old Pippa surfaces for just a moment, hopeful and childlike. She pulls Felicity to her. Something I cannot name passes between them, and then Pip’s lips are on Fee’s in a deep kiss, as if they feed on one another, their fingers entwined in each other’s hair. And suddenly, I understand what I must have always known about them—the private talks, the close embraces, the tenderness of their friendship. A blush spreads across my neck at the thought. How could I not have seen it before?”

“I just read this great quote by Junot Diaz, he was talking about true intimacy, and he was saying that it was the willingness to be vulnerable and to be found out. That’s what I felt that YA did. It wasn't pretentious, and it wasn’t hiding its heart. It wanted to be found out... It felt like those moments when you go to a party and you're standing around for a long time, going, I don't fit in here, what am I going to talk to these people about? And everybody's getting drunk, and then you find this one person, and you end up sitting in some corner talking about all these arcane things. And then before you know it you're having a conversation about the meaning of life and it's four o’clock in the morning. That kind of feeling, that kind of intimacy — I felt like that's what I got from YA.”

“I think sometimes in literature we kind of police ourselves. I know a lot of people talked about Twilight, and they would say, oh, but the heroine, she lets this man make her decisions. And I thought, that may not be the particular fantasy or trope that works for me. But listen man, I read Wuthering Heights. I wanted me a little Heathcliff action. I mean, why can't we indulge that fantasy and also be like, “And now I would like the ERA passed, please. Also, this lipstick is fuckin' killer.”

“Nicole did what she'd been taught since she was little and her parents had moved into an all-white neighborhood: She smiled and made herself as friendly and non threatening as possible. Its what she did when she met the parents of her friends. There was always that split second- something almost felt rather than seen- when the parents' faces would register a tiny shock, a palpable discomfort with Nicole's 'otherness.' And Nicole would smile wide and say how nice it was to come over. She would call the parents Mr. or Mrs., never by their first names. Their suspicion would ebb away, replaced by an unspoken but nonetheless palpable pride in her 'good breeding,' for which they should take no credit but did anyway. Nicole could never quite relax in these homes. She'd spend the evening perched on the edge of the couch, ready to make a quick getaway.”

“A woman's reputation is her worth... IT is the way it is. You may hate me for saying so, but there is the truth. Do you not remember that this is how our mother died? She would still be here and Father would be well and none of this would ever have happened if she had simply lived according to the time-trusted codes of society.' Perhaps it proved impossible. Perhaps she could not fit within so tight a corset. Perhaps I am the same.' One does not have to like the rules, Gemma. But one does need to adhere to them. That is what makes civilization. Do you think I agree with every... decision made by my superiors”

“At first, I was scared to be alone. No routines. No rules. Just me. But I think..." Taylor wiped a tear away. "I think I was always in the jungle. Before. It was always there. I think I had to come out here to find the answer." "And what did you find?" "I love myself. They make it so hard for us to love ourselves." Taylor stared off into the dark. Her face gleamed with tears. Snot ran over her lips. "The judges won't like that answer." "Nobody's judging you." Taylor choked on a sob. "Always," she whispered.”

“A hedgehog flies from the safety of a bush, startling me. It darts past us in a terrible hurry. Kartik nods toward the furry little thing. "Don't mind him. He's off to meet his lady friend." "How can you be sure?" "He has on his best hedgehog suit." "Ah, I should have noticed." I say, happy to be playing this game-any game-with him. I put my hand on the tree's trunk and swing myself around it slowly, letting my body feel gravity's pull. "And why has he worn his best?" "He's been away in London, you see, and now he has returned to her," Kartik continues. "And what if she is angry with him for being away so long?" Kartik circles just behind me. "She will forgive him." "Will she?" I say pointedly. "It is his hope that she will, for he didn't mean to upset her." Kartik answers, and I am no longer sure we speak of the hedgehog. "And is he happy to see her again?" "Yes," Kartik says. "He should like to stay longer, but he cannot." The bark chafes against my hand. "Why is that?" "He has his reasons, and hopes his lady will understand them one day." Kartik has changed direction. He comes around the other side of the tree. We are face to face. A palm of moonglow reaches through the branches to caress his face. "Oh," I say, heart beating fast. "And what would the lady hedgehog say to that?" he asks. His voice soft and low. "She would say..." I swallow hard. Kartik steps closer. "Yes?" "She would say," I whisper, "'If you please, I am not a hedgehog. I am a woodchuck.'" A small smile plays at Kartik's lips. "He is fortunate to have so witty a lady friend," he says, and I wish I could have the moment back again to play differently.”

“Miss New Mexico stared, dumbfounded. "Stand out? Stand out? I have a freaking tray stuck in my forehead!" She broke into fresh sobs. Taylor clapped for attention. "Miss New Mexico, let's not get all down in the bummer basement where the creepy things live. There are people in heathen China who don't even have airline trays. We have a lot to be grateful for.”