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Quote by Lydia Netzer

“A child playing with its father screams louder, laughs harder, jumps more eagerly, puts more faith in everything.”

Quote by Lydia Netzer

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Lydia Netzer

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“Bloom of adulthood. Try a whiff of that. On your back in the dark you remember. Ah you remember. Cloudless May day. She joins you in the little summerhouse. Entirely of logs. Both larch and fir. Six feet across. Eight from floor to vertex. Area twenty-four square feet to the furthest decimal. Two small multicoloured lights vis-a-vis. Small stained diamond panes. Under each a ledge. There on summer Sundays after his midday meal your father loved to retreat with Punch and a cushion. The waist of his trousers unbuttoned he sat on the one ledge and turned the pages. You on the other your feet dangling. When he chuckled you tried to chuckle too. When his chuckle died yours too. That you should try to imitate his chuckle pleased and amused him greatly and sometimes he would chuckle for no other reason than to hear you try to chuckle too. Sometimes you turn your head and look out through a rose-red pane. You press your little nose against the pane and all without is rosy. The years have flown and there at the same place as then you sit in the bloom of adulthood bathed in rainbow light gazing before you. She is late.”

“A child is asleep. Her private life unwinds inside skin and skull; only as she sheds childhood, first one decade and then another, can she locate the actual, historical stream, see the setting of her dreaming private life—the nation, the city, the neighborhood, the house where the family lives—as an actual project under way, a project living people willed, and made well or failed, and are still making, herself among them. I breathed the air of history all unaware, and walked oblivious through its littered layers.”

“Si, bien avant la puberté, et parfois même dès sa toute petite enfance, elle nous apparaît déjà comme sexuellement specifiée, ce n'est pas que de mystérieux instincts immédiatement la vouent à la passivité, à la coquetterie, à la maternité, c'est que lintervention d'autrui dans la vie de l'enfant et presque originelle et que dès ses premières années sa vocation lui est impérieusement insufflée.”

“Katja kneeled in the Parisian streets, shaking and weak from the pain in her head and heart. It had come a second ago—a vague vision from another decade, nearly forgotten by its sender and screaming with emotional turmoil. And only moments after she‟d fed. In the now decrepit walls of a place she once knew, she stared down at a child in despair. In the room where a man breathed his last and a young woman‟s sorrow grew, he lay weeping in a rage only the heart of all sorrow can know. Death and fear came off of him in waves as lightning shared the secret of the man inside the child—the man who would be her beginning and her end if she allowed it.”