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Quote by Angela Nagle

“The pop culture cliché of the American High School movie, which adapted old archetypes, depicted a social world in which the worst sexists were always the all brawn no brains sports jock. But now that the online world has given us a glimpse into the inner lives of others, one of the surprising revelations is that it is the nerdish self-identifying nice guy who could never get the girl who has been exposed as the much more hate-filled, racist, misogynist who is insanely jealous of the happiness of others.”

Quote by Angela Nagle

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Angela Nagle

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“In the end, Buchanan was one of the paleocons to back Trump and many of those who formerly loathed most of what Yiannopoulos and what he represented decided to change their minds and back the winning horse, not only of Trump, but also of the new libertines of the online irreverent ‘punk’ right. Having lost Buchannan’s conservative culture war, they were perhaps strategically right to calculate that the only way they can ever have at least some of their ideas heard again would be to back a groping, lecherous, godless presidential candidate and a libertine figure such as Yiannopoulos and his army of online racist, foul-mouthed, porn-loving nihilists, who in many ways represent everything people like Buchannan are supposed to stand against. The rise of Milo, Trump and the alt-right are not evidence of the return of the conservatism, but instead of the absolute hegemony of the culture of non-conformism, self-expression, transgression and irreverence for its own sake – an aesthetic that suits those who believe in nothing but the liberation of the individual and the id, whether they’re on the left or the right. The principle-free idea of counterculture did not go away; it has just become the style of the new right.”

“谱曲者早已代代作古,一页页乐谱也不容辩驳——我所奏的不过是作为美的记忆,是美的消逝。在爵士乐中,乐手们总期待着下一个瞬间的奇迹。而在古典音乐的现场,视角颠倒了。正因它早已不是当下的事件,而是对某刻往昔的再现,使每个瞬间都变得珍贵、迫切起来。一个个音符在触及我们心灵的刹那,又一个接一个成为过去。过去接连着流向过去,直至聆听的尽头;我们就这样在时间的悬置中,完成了对回忆的致敬。所谓现场,不就是这样一种关乎“消逝”的艺术吗?”

“We live in a society where the individual is far more empowered, but that brings other challenges. Once the mob gets going, it is very easy to silence authors, or to get publishers to pull books from publication. And that raises questions about the books that are getting out: who is writing them? And who is being approved to write them?” said Ginsberg. The young adult novelist Hennessy pointed to a recent Vulture piece about the “toxic” online community around young adult books, where novels are being “targeted in intense social-media callouts, draggings, and pile-ons – sometimes before anybody’s even read them”.”

“...when someone comes to me who possesses any traits that stray from what might appear in an American i950s-era sitcom, their identities are part of their abuse. They are targeted by certain people who want them to suffer for existing.”

“While online abuse can happen to anyone, it is by no means an equal-opportunity occurrence. We're dragged the same sort of cultural baggage that we live with offline into online spaces like a gross piece of toilet paper stuck to our shoes.”