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Quote by Marty Bisson milo

“cette ame trop souvent utiliser se mefie de cette scintillante lumiere cette meme lumiere qui la tromper si souvent;; Marty Bisson Milo”

Quote by Marty Bisson milo

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Marty Bisson milo

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“The real power of a leader is in the number of minds he can reach, hearts he can touch, souls he can move, and lives he can change.”

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Author:Matshona Dhliwayo
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“Picasso’s eclecticism signifies the deliberate destruction of the unity of the personality; his imitations are protests against the cult of originality; his deformation of reality, which is always clothing itself in new forms, in order the more forcibly to demonstrate their arbitrariness, is intended, above all, to confirm the thesis that ‘nature and art are two entirely dissimilar phenomena’. Picasso turns himself into a conjurer, a juggler, a parodist, out of opposition to the romantic with his ‘inner voice’, his ‘take it or leave it’, his self-esteem and self-worship. And he disavows not only romanticism, but even the Renaissance, which, with its concept of genius and its idea of the unity of work and style, anticipates romanticism to some extent. He represents a complete break with individualism and subjectivism, the absolute denial of art as the expression of an unmistakable personality. His works are notes and commentaries on reality; they make no claim to be regarded as a picture of a world and a totality, as a synthesis and epitome of existence. Picasso compromises the artistic means of expression by his indiscriminate use of the different artistic styles just as thoroughly and wilfully as do the surrealists by their renunciation of traditional forms.”

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Book:The Social History of Art: Volume 4: Naturalism, Impressionism, The Film Age
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“The Karen Novotny Experience. As she powdered herself after her bath, Karen Novotny watched Trabert kneeling on the floor of the lounge, surrounded by the litter of photographs like an eccentric Zen cameraman. Since their meeting at the emergency conference on Space Medicine he had done nothing but shuffle the photographs of wrecked capsules and automobiles, searching for one face among the mutilated victims. Almost without thinking she had picked him up in the basement cinema after the secret Apollo film, attracted by his exhausted eyes and the torn flying jacket with its Vietnam flashes. Was he a doctor, or a patient? Neither category seemed valid, nor for that matter mutually exclusive. Their period in the apartment together had been one of almost narcotic domesticity. In the planes of her body, in the contours of her breasts and thighs, he seemed to mimetize all his dreams and obsessions.”

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Book:The Atrocity Exhibition
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