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Quote by Elena Mauli Shapiro

“...all the men in the photograph wear puttees. All the men in the picture are bound, trying to keep themselves together. That is how considerate they are, for the love of God and country and women and the other men--for the love of all that is good and true--they keep themselves together because they have to. They are afraid but they are not cowards.”

Quote by Elena Mauli Shapiro

Book:13, rue Thérèse
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13, rue Thérèse

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Elena Mauli Shapiro

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“Long before it was known to me as a place where my ancestry was even remotely involved, the idea of a state for Jews (or a Jewish state; not quite the same thing, as I failed at first to see) had been 'sold' to me as an essentially secular and democratic one. The idea was a haven for the persecuted and the survivors, a democracy in a region where the idea was poorly understood, and a place where—as Philip Roth had put it in a one-handed novel that I read when I was about nineteen—even the traffic cops and soldiers were Jews. This, like the other emphases of that novel, I could grasp. Indeed, my first visit was sponsored by a group in London called the Friends of Israel. They offered to pay my expenses, that is, if on my return I would come and speak to one of their meetings. I still haven't submitted that expenses claim. The misgivings I had were of two types, both of them ineradicable. The first and the simplest was the encounter with everyday injustice: by all means the traffic cops were Jews but so, it turned out, were the colonists and ethnic cleansers and even the torturers. It was Jewish leftist friends who insisted that I go and see towns and villages under occupation, and sit down with Palestinian Arabs who were living under house arrest—if they were lucky—or who were squatting in the ruins of their demolished homes if they were less fortunate. In Ramallah I spent the day with the beguiling Raimonda Tawil, confined to her home for committing no known crime save that of expressing her opinions. (For some reason, what I most remember is a sudden exclamation from her very restrained and respectable husband, a manager of the local bank: 'I would prefer living under a Bedouin muktar to another day of Israeli rule!' He had obviously spent some time thinking about the most revolting possible Arab alternative.) In Jerusalem I visited the Tutungi family, who could produce title deeds going back generations but who were being evicted from their apartment in the old city to make way for an expansion of the Jewish quarter. Jerusalem: that place of blood since remote antiquity. Jerusalem, over which the British and French and Russians had fought a foul war in the Crimea, and in the mid-nineteenth century, on the matter of which Christian Church could command the keys to some 'holy sepulcher.' Jerusalem, where the anti-Semite Balfour had tried to bribe the Jews with the territory of another people in order to seduce them from Bolshevism and continue the diplomacy of the Great War. Jerusalem: that pest-house in whose environs all zealots hope that an even greater and final war can be provoked. It certainly made a warped appeal to my sense of history.”

WarChristianityHistoryDemocracyIsraelLondonRussiaOppressionFranceTortureBritainTerritoryWorld War IFree SpeechColonialismPersecutionPalestineDiplomacySecularismFanaticism19th CenturyAncestryJerusalemReligious ExtremismEthnic CleansingJewsArmageddonLeftismAntisemitismBolshevismCrimeaPalestiniansArabsZealotryHouse ArrestPhilip RothBedouinCrimean WarRamallahArthur BalfourRaimonda Tawil
Book:Hitch 22: A Memoir
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“Civil war... What did the words mean? Was there any such thing as 'foreign war'? Was not all warfare between men warfare between brothers? Wars could only be defined by their aims. There were no 'foreign' or 'civil' wars, only wars that were just or unjust. Until the great universal concord could be arrived at, warfare, at least when it was the battle between the urgent future and the dragging past, might be unavoidable. How could such a war be condemned? War is not shameful, nor the sword-thrust a stab in the back, except when it serves to kill right and progress, reason, civilization, and truth. When this is war's purpose it maeks no difference whether it is civil or foreign war - it is a crime. Outside the sacred cause for justice, what grounds has one kind of war for denigrating another? By what right does the sword of Washington despise the pike of Camille Desmoulins? Which is the greater - Leonidas fighting the foreign enemy or Timoleon slaying the tyrant who was his brother? One was a defender, the other a liberator. Are we to condemn every resort to arms that takes place within the citadel, without concerning ourselves with its aim?”

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Book:Les Misérables
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“Abuse of the military metaphor may be inevitable in a capitalist society, a society that increasingly restricts the scope and credibility of appeals to ethical principle, in which it is thought foolish not to subject one's actions to the calculus of self-interest and profitability. War-making is one of the few activities that people are not supposed to view 'realistically'; that is, with an eye to expense and practical outcome. In all-out war, expenditure is all-out, unprudent--war being defined as as an emergency in which no sacrifice is excessive.”

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Book:Illness as Metaphor and AIDS and Its Metaphors
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