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Quote by Abigail Roux

“What’s the reach on these ear buds?” Zane asked. He refused to slow down, and for once Nick was glad for the man’s stubbornness. “You got to be in a mile range of the hand unit,” Digger answered. “If Ty’s got his unit on him, we should be able to hear him and he should be able to hear us.” “So we can’t hear him, that means he dropped his radio?” Owen asked. “Or his ear bud. Or he went into the drink. Or he’s underground. Or he’s behind lots of concrete. Or somewhere the signal’s getting jacked.” “Digger!” “What? They ain’t military grade. Damn.”

Quote by Abigail Roux

Book:Touch & Geaux
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Touch & Geaux

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Abigail Roux

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“We all die someday,” Nick muttered as he moved off into the darkness. “Yeah, but I’d rather my obituary didn’t lead with ‘He broke into a jail museum and then died,’” Digger grumbled as he trailed after. “At least it would read ‘with his friends,’” Doc added. “If I wanted to die with you jokers, I would have done it in Afghanistan!” Nick and Owen both stopped and wheeled on Doc and Digger. “Will you at least pretend that you care we’re doing something illegal here?” Nick hissed. Doc and Digger muttered apologies, and they carried on.”

Nick O FlahertyKelly AbbottDiggerSidewinderOwen JohnsThe Bone Orchard
Book:The Bone Orchard
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“JADE: picture that this is all you have ever known of this story. the only way it would ever occur to you that the story could be understood by another. JADE: and then, one day, you meet me. JADE: you look me up and down, and regard me as the discrete, specific individual that i am. JADE: and i decide to tell you this story again, using my own voice. JADE: and it sounds exactly like this: JADE: a martyr died and said fuck. ARADIA: huh... JADE: does this change the way you perceive the story you were originally familiar with? ARADIA: i guess a little bit ARADIA: it’s certainly a different way of hearing it ARADIA: but at least you didnt change any words so i guess its not all that different JADE: exactly. JADE: i didn’t change any words. JADE: but then, it was a very short story i told, wasn’t it? ARADIA: sure was JADE: now imagine it was much longer, and that was only the first line. ARADIA: thats easy to imagine ARADIA: his was a long story JADE: quite true. JADE: a story as short as the one we’ve been using cannot accomplish much when it comes to guiding and manipulating one’s awareness and emotions. JADE: it is compact, ostensibly commanding a simple and meditative moment of reflection, as a short poem might. JADE: the narrative it delivers is freighted with inference. it is a pattern imprinted upon the imagination consisting solely of cognitive dark matter, or a sort of notional negative space. JADE: but longer stories have the power to draw consciousness into them. they possess arresting and hypnotic qualities which can be used by their tellers to alter the awareness of the listener. JADE: again, i’d like you to imagine this is the only way you’ve ever known this story. JADE: but then it continues... JADE: a martyr died and said fuck. JADE: his final howl of profanity reverberated through the ages. JADE: it inspired his devotees during the darkest times of a brutal regime. JADE: his lessons were guarded, kept secret, espoused in the shadows of tyranny. JADE: a vision of peace would inspire those who’d never conceived of it. JADE: and though his death was gruesome, it opened the world to a feeling of hope. JADE: this hope echoed through the ages. JADE: it gave his disciples the strength to persist as they perished in droves. JADE: it was the only light to shine on a dark planet for millions of sweeps. JADE: and if you are one so devoted to his teachings, who sees truth in his words, JADE: it may be said with great authority that you are wrong. JADE: you are foolish to believe his lies. his martyrdom is false, his sacrifice hollow. JADE: repent for your adherence to this illusion now, and perhaps leniency will be your reward. ARADIA: 0_0 ARADIA: what just happened there JADE: i brought to your attention that the story you were listening to had a speaker with a specific identity. JADE: and where there is an identity, there can also be an agenda. JADE: i gained the power to bend your consciousness to become more amenable to my narrative agenda by lulling you into a more receptive state through the established rhythm of the story’s telling. JADE: this was only possible because you were not initially questioning the identity of the teller, or even considering that there was an identity to consider. ARADIA: i guess youre right JADE: hence, we may view any story as speakerless, or spoken, so as to bring designations to the duality i have just presented.”

Narrative VoiceMetanarrative
Author:Andrew Hussie
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