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Sisters of Sword and Song

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Rebecca Ross

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“Anyway', Anthony said ushering them away, 'that's Literature. One of the worst applications of Babel education, if you ask me.' 'You don't approve?' Robin asked. He shared Victoire's delight; a life spent on the fourth floor would be wonderful. 'Me? No.', Anthony chuckled, 'I'm here for silver-working. I think the Literature Department are an indulgent lot, as Vimal knows. See, the sad thing is they could be they could be the most dangerous scholars of them all, because they are the ones who really understand languages - know how they live and breathe or how they can make our blood pump, our skin prickle with just a turn of a phrase. But they are just too obsessed fiddling with their lovely images to bother with how all that living energy might be channelled into something far more powerful. I mean, of course, silver.”

“So maybe the Reading Room is magic because books really are magic. I read once that books bend both space and time, and the more books you have in one place, the more space and time will bend and twist and fold over itself. I'm not sure if that's true but it feels true. Of course, I read that in a book, and maybe the book was just bragging.”

“Your words have power. [...] "How are you?" "Ah - can't complain," or "No use complaining," or "Not too bad." How does the brain respond to these dreary views? Is it a "pain in the neck" to do the dishes? Is it "one big headache" to balance your checkbook? Are you "sick and tired" of the weather we are having? I am convinced that [doctors] owe a large part of their income to the words we use. Remember, the brain is no subtle interpreter. It says, "This guy's asking for a headache. Okay. One headache coming up." Of course, every time that we say something gives us a pain, a pain does not immediately result. The body's natural state is good health, and all its processes are geared toward health. In time, though, with enough verbal pounding away at its defenses, it delivers up the very illnesses we order.”

“For her the magic was not what words had been, but what they were capable of: their ability to sketch, with one sweeping brushstroke, the contours of an experience, the form of a feeling. How they could make the effable effable, how they could never be fully unraveled, it held infinite mysteries and wonders and sometimes all you could do was stand agape, rubbing your eyes, trying to see properly.”