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Quote by Vanessa Diffenbaugh

Work

The Language of Flowers

This book delves into the rich history and cultural significance of flowers, using them as a metaphor for human emotions and relationships. more

Author

Vanessa Diffenbaugh
Vanessa Diffenbaugh

Vanessa Diffenbaugh is an American author of novels, born in 1978. Her works are known for their deep character development and engaging storytelling. Diffenbaugh's novels often explore social issues such as the challenges faced by teenagers, family relationships, and identity. more

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“Where had they learned to converse and to dance? I couldn't converse or dance. Everybody knew something I didn't know. The girls looked so good, the boys so handsome. I would be too terrified to even look at one of those girls, let alone be close to one. To look into her eyes or dance with her would be beyond me. And yet I know that what I saw wasn't as simple and good as it appeared. There was a price to be paid for it all, a general falsity, that could be easily believed, and could be the first step down a dead-end street.”

“If you were alone when you were born, alone when you were dying, really absolutely alone when you were dead, why "learn to be alone" in between? If you had forgotten, it would quickly come back to you. Aloneness was like riding a bike. At gunpoint. With the gun in your own hand. Aloneness was the air in your tires, the wind in your hair. You didn't have to go looking for it with open arms. With open arms, you fell off the bike: I was drinking my wine too quickly.”

“At first the lives of women frightened me. They seemed so fragile, so dependent on fathers and husbands and brothers and lovers. Gradually, though, I noticed how supple their lives were beneath the surface. I saw, too, that sooner or later, by choice or by chance most women faced the task of adapting to a future on their own. When at my most optimistic, I thought of it as independence, in darker moods, as survival. Either way, women had to do it.”