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Quote by Brandon Sanderson

“As she’d left, I’d glanced at her gun. This time, when she’d pointed it at me, she’d flicked the safety on. If that wasn’t true love, I don’t know what was.”

Quote by Brandon Sanderson

Work

Firefight

In this intense and atmospheric novel, a catastrophic fire rages through a city, leaving its residents to fight for their lives amidst the chaos. The story delves into the human spirit's resilience and the desperate measures people will take to survive in the face of such a disaster. more

Author

Brandon Sanderson
Brandon Sanderson

Brandon Sanderson, born in December 1975, is a renowned science fiction and fantasy writer in the United States. His works are known for their rich imagination, complex character development, and profound philosophical insights. His representative works include the 'Mistborn' trilogy and the 'The Stormlight Archive' series, among others. more

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“These are the figures of steel whose eagle eyes dart between whirling propellers to pierce the cloud; who dare the hellish crossing through fields of roaring craters, gripped in the chaos of tank engines ... men relentlessly saturated with the spirit of battle, men whose urgent wanting discharges itself in a single concentrated and determined release of energy. As I watch them noiselessly slicing alleyways into barbed wire, digging steps to storm outward, synchronizing luminous watches, finding the North by the stars, the recognition flashes: this is the new man. The pioneers of storm, the elect of central Europe. A whole new race, intelligent, strong, men of will ... supple predators straining with energy. They will be architects building on the ruined foundations of the world.”

“Seems Commander 110 finally came to his senses too, because then he says: "We don't need to see his identification." "Bless!" I almost yelled, but I kept it contained. "These are not the droids you're looking for," Old Guy says. And he was right. He was so right. It was like, of course they're not! 110 agreed and then Old Guy says he can go about his business, and I'm like Yes! Yes, Old Guy! Say that! And 110 agrees again! Word for word in fact! "Move along," this remarkable little geezer says. Commander 110 nods. "Move along." And then, because he's 110 and he can't help himself, he repeats it for good measure.”

“Birds of the Western Front Your mess-tin cover's lost. Kestrels hover above the shelling. They don't turn a feather when hunting-ground explodes in yellow earth, flickering star-shells and flares from the Revelation of St John. You look away from artillery lobbing roar and suck and snap against one corner of a thicket to the partridge of the war zone making its nest in shattered clods. History floods into subsoil to be blown apart. You cling to the hard dry stars of observation. How you survive. They were all at it: Orchids of the Crimea nature notes from the trench leaving everything unsaid - hell's cauldron with souls pushed in, demons stoking flames beneath - for the pink-flecked wings of a chaffinch flashed like mediaeval glass. You replace gangrene and gas mask with a dream of alchemy: language of the birds translating human earth to abstract and divine. While machine-gun tracery gutted that stricken wood you watched the chaffinch flutter to and fro through splintered branches, breaking buds and never a green bough left. Hundreds lay in there wounded. If any, you say, spotted one bird they may have wondered why a thing with wings would stay in such a place. She must have, sure, had chicks she was too terrified to feed, too loyal to desert. Like roots clutching at air you stick to the lark singing fit to burst at dawn sounding insincere above the burning bush: plough-land latticed like folds of brain with shell-ravines where nothing stirs but black rats, jittery sentries and the lice sliding across your faces every night. Where every elixir's gone wrong you hold to what you know. A little nature study. A solitary magpie blue and white spearing a strand of willow. One for sorrow. One for Babylon, Ninevah and Northern France, for mice and desolation, the burgeoning barn-owl population and never a green bough left.”

“. Leaving the city behind, they entered the wasted countryside. Large shell holes, jagged stumps of full-grown trees, and gas residue clinging to puddles all pointed to the power of modern warfare. No living thing remained. The odor of rotting human corpses filled what was left of the woods: the dead wearing the uniforms of France, Germany, and the US.”

“The column swung into single file, with space between companies and platoons. Marching until 3:00 a.m., they stopped in a small forest, put their heavy packs on the ground, and unrolled their packs. The woods were thick. In the blackness, Roy could only see a few feet in front of him in the dark, and there wasn’t any acceptable cover. He had just put his pack down, when it started. A distant set of krumps went off somewhere in the distance and, moments later, the screaming shells descended, men yelled, and wood shrapnel flew from exploding trees. Roy hit the deck, grabbed his helmet, and held the fear back behind his clenched teeth. In the flash of the exploding shells, he saw his comrades and friends lying still, small, some crouched behind trees, some cursing, all helpless. Bigger shells came, shaking the landscape like a freight train speeding past a rickety station. Everything shook with diabolical red flashes and deafening roars. It went on and on, hour after hour.”

“While they continued to march toward the sounds of the guns, Roy noticed fear behind the eyes of some of his fellow soldiers. Death and destruction surrounded them. Corpses in the ditches, wounded on stretchers, shell holes were everywhere. They hadn’t even reached the front lines yet.”