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Quote by Nathan J Bullock

“Life's Tangled Trail Life with its burdens saved by force; in spite of our blunders, held its course. Then comes confusion as senses react. We strive to learn whether mystic or fact. Eventually consciousness, shocking and bold to solve life's problems, the new and the old.”

Quote by Nathan J Bullock

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Life's Tangled Trail

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Nathan J Bullock

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“the presence of an old salt aboard the Elizabeth Seaman was profoundly reassuring. “Iron men in wooden boats,” they were called, as opposed to the wooden men in iron boats of today, like Kittredge, Farmingdale, and Eddie himself. Old salts partook of an origin myth, being close to the root of all things, including language. Eddie had never noticed how much of his own speech derived from the sea, from “keeled over” to “learning the ropes” to “catching the drift” to “freeloader” to “gripe” to “brace up” to “taken aback” to “leeway” to “low profile” to “the bitter end,” or the very last link on a chain. Using these expressions in a practical way made him feel close to something fundamental—a deeper truth whose contours he believed he’d sensed, allegorically, even while still on land. Being at sea had brought Eddie nearer that truth. And the old salts were nearer still.”

“The novel is... the anti-form proper to modernity itself (which is to say, of capitalism and its cultural and epistemological categories, its daily life). This means... that the novel is also a vehicle of creative destruction. Its function, in some properly capitalist ‘cultural revolution’, is the perpetual undoing of traditional narrative paradigms and their replacement, not by new paradigms, but by something radically different. To use Deleuzian language for a moment, modernity, capitalist modernity, is the moment of passage from codes to axioms, from meaningful sequences, or indeed, if you prefer, from meaning itself, to operational categories, to functions and rules; or, in yet another language, this time more historical and philosophical, it is the transition from metaphysics to epistemologies and pragmatisms, we might even say from content to form.”

“He ascended the mountain in darkness, no lamplight, a world black and silver and blue. The moon lay scattered through the woods in blades, glowing palely, the wind rising now and again to moan through the trees. The trail scrawled ever upward, toward the looming darkness of the mountain's peak. Above it all the sea of night, the strange ornamentation of stars.”