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Reprise . . . Sheet Music

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Spirited Away

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“Like Seita and Setsuko, like Chihiro - like Sophie Hatter who disappears from her dreary life into a world of talking fireballs and melting wizards - the myth of grief is not just a case of falling down the rabbit hole to escape reality. It's about what happens to us on the descent, what happened once we're down there, and in which ways we are profoundly changed forever once we re-emerge - if, that is, we're lucky enough to do so. It is a different kind of myth: one which doesn't so much offer up the answers as it does provide a way to find them for ourselves. It is a maze - a labyrinth - in which we are sent to become lost before the possibility of escape is even contemplated. It is not quick - it is not easy. There is no map, no key, no legend, and no scale. There is only the maze itself and the quiet echoes of the world above. A shelter until the moment it becomes a prison, grief is the myth we live by when living feels impossible.”

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“In contrast, the gratification and education received from Sanjit’s classes is slow burning, personal, and in a changing world allegedly becoming more attuned to and obsessed with requiring that money spent – especially on education – must yield tangible results, what many would view as a paradoxical dynamic nevertheless persists there, near Park Circus, Kolkata. No grades, no forced accountability, all voluntary learning.”

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“One of the most brilliant Russian writers of the twentieth century, Yevgeny Zamyatin belongs to the tradition in Russian literature represented by Gogol, Leskov, Bely, Remizov, and, in certain aspects of their work, also by Babel and Bulgakov. It is a tradition, paradoxically, of experimenters and innovators. Perhaps the principal quality that unites them is their approach to reality and its uses in art - the refusal to be bound by literal fact, the interweaving of reality and fantasy, the transmutation of fact into poetry, often grotesque, oblique, playful, but always expressive of the writer's unique vision of life in his own, unique terms.”

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