“She had thought of literature all these years (her seclusion, her rank, her sex must be her excuse) as something wild as the wind, hot as fire, swift as lightning; something errant, incalculable, abrupt, and behold, literature was an elderly gentleman in a grey suit talking about duchesses… Orlando then came to the conclusion (opening half-a-dozen books)…that it would be impolitic in the extreme to wrap a ten-pound note round the sugar tongs when Miss Christina Rossetti came to tea…next (here were half-a-dozen invitations to celebrate centenaries by dining) that literature since it all these dinners must be growing very corpulent; next (she was invited to a score of lectures on the Influence of this upon that; the Classical revival; the Romantic survival, and other titles of the same engaging kind) that literature since it listened to all these lectures must be growing very dry; next (here she attended a reception given by a peeress) that literature since it wore all those fur tippets must be growing very respectable; next (here she visited Carlyle’s sound-proof room at Chelsea) that genius since it needed all this coddling must be growing very delicate…”
Quote by Virginia Woolf
Work
Orlando is a novel by Virginia Woolf that tells the story of a young nobleman who, after a mysterious transformation, lives as a woman for several centuries. The narrative spans from the Elizabethan era to the early 20th century, blending biography, fantasy, and satire. The book examines the fluidity of gender, the nature of artistic creation, and the passage of time, all while maintaining a playful and lyrical tone. It is considered a key work in modernist literature and a pioneering exploration of gender identity. more
Author
British modernist writer, known for her unique narrative techniques and profound portrayal of female experience. Her works include 'To the Lighthouse' and 'Mrs. Dalloway'. more
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