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Quote by Matthijs van Boxsel

“Wat is een Nederlander? Wie zich als Nederlander identificeert, onderscheidt zich in taal, kleding of eetgewoonten van de Belgen, de Duitsers, de Engelsen enzovoort. De verschillen met andere naties bakenen het 'wezen' van de Nederlander af. Nationaliteit wordt gedefinieerd door een 'buitengrens'. Maar Nederland kent ook een 'binnengrens', want welke Nederlander is de ware Nederlander? Erasmus? Rembrandt? Drees? Beatrix? Cruijff? De vacature is door de eeuwen heen door steeds andere personen en groepen vervuld. Zijn het de arbeiders die het land hebben opgebouwd? De middenstanders als motor van de economie? Is het de dominee-koopman? De ware Nederlander verandert voortdurend van gezicht.”

Quote by Matthijs van Boxsel

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Matthijs van Boxsel

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“La historia no ha cambiado. Hace mil anos ellos eran los duenos del mundo. Hoy en dia lo siguen siendo. Claro, lo tienen que compartir con los grandes magnates de la tierra, esos que controlan el petroleo, las drogas, la tecnologia y por supuesto la television y la radio. La Iglesia domina los miedos y la promesa de la salvacion; las grandes empresas tambien manipulan los miedos y los paliativos para estos: la satisfaccion de las necesidades basicas - y las no tan basicas que hoy en dia parecen primordiales: carro, casa, belleza y entretenimiento - , una via directa al consimismo. Ambos en busca de lo mismo, la minipulacion del pueblo que los lleva a la gallina de los huevos de oro: el dinero de las masas. No es causalidad que la gente no quiera pensar. La Iglesia se encargo por siglos de esto, evitando la lectura de cualquier cosa que no fuese su religion. Desde Aristoteles, Ovidio, Pitagoras, Platon, Socrates, Antistenes, Heraclito, hasta Voltaire, Huxley, Hesse, Sade, Maquiavelo, Rousseau, Nietzsche, Dumas, entre otros, fueron censurados.”

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“I'm what the botanists call a hybrid," he said the first time Cora heard him speak, "A mixture of two different families. In flowers, such a concoction pleases the eye. When that amalgamation takes its shape in flesh and blood, some take great offence. In this room we recognize it for what it is - a new beauty come into the world, and it is in bloom all around us.”

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“The iron horse still rumbled through the tunnel when she woke. Lumbly's words returned to her: "If you want to see what this nation is all about, you have to ride the rails. Look outside as you speed through, and you'll find the true face of America." It was a joke, then, from the start. There was only darkness outside the windows on her journeys, and only ever would be darkness.”

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“This beast that puffed smoke and spat fire and shrieked like a devil of an alien tribe; that split the silence as hideously as the long track split the once smooth plain; that was made of iron and wood; this thing of the white man’s, coming from out of the distance where the Great Spirit lifted the dawn, meant the end of the hunting-grounds and the doom of the Indian. Blood had flowed; many warriors lay in their last sleep under the trees; but the iron monster that belched fire had gone only to return again. Those white men were many as the needles of the pines. They fought and died, but always others came. The chief was old and wise, taught by sage and star and mountain and wind and the loneliness of the prairie-land. He recognized a superior race, but not a nobler one. White men would glut the treasures of water and earth. The Indian had been born to hunt his meat, to repel his red foes, to watch the clouds and serve his gods. But these white men would come like a great flight of grasshoppers to cover the length and breadth of the prairie-land. The buffalo would roll away, like a dust-cloud, in the distance, and never return. No meat for the Indian — no grass for his mustang — no place for his home. The Sioux must fight till he died or be driven back into waste places where grief and hardship would end him. Red and dusky, the sun was setting beyond the desert. The old chief swept aloft his arm, and then in his acceptance of the inevitable bitterness he stood in magnificent austerity, somber as death, seeing in this railroad train creeping, fading into the ruddy sunset, a symbol of the destiny of the Indian — vanishing — vanishing — vanishing —”

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“For the rest the old trapper was glad to see the last of habitations, and of men, and of the railroad. Slingerland hated that great, shining steel band of progress connecting East and West. Every ringing sledge-hammer blow had sung out the death-knell of the trapper’s calling. This railroad spelled the end of the wilderness. What one group of greedy men had accomplished others would imitate; and the grass of the plains would be burned, the forests blackened, the fountains dried up in the valleys, and the wild creatures of the mountains driven and hunted and exterminated. The end of the buffalo had come — the end of the Indian was in sight — and that of the fur-bearing animal and his hunter must follow soon with the hurrying years. Slingerland hated the railroad, and he could not see as Neale did, or any of the engineers or builders. This old trapper had the vision of the Indian — that far-seeing eye cleared by distance and silence, and the force of the great, lonely hills. Progress was great, but nature undespoiled was greater. If a race could not breed all stronger men, through its great movements, it might better not breed any, for the bad over-multiplied the good, and so their needs magnified into greed. Slingerland saw many shining bands of steel across the plains and mountains, many stations and hamlets and cities, a growing and marvelous prosperity from timber, mines, farms, and in the distant end — a gutted West.”

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