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Once Upon a Broken Heart

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Stephanie Garber

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“She pulled out a blue dress made of washed silk that was so soft it felt like skin. Size six. There was another dress in a champagne color- the same cut, very simple, a slip dress to just above the knee. There was a third outfit- a tank and skirt in the same silk, bottle green. "These are for me?" "Let's see how they look." She took the bag into the ladies' room and slipped the blue dress on over her bikini. It fell over Adrienne's body like a dress in a dream- and it would look even better when she had the right underwear. So here was her look. She checked the side of the shopping bag. The clothes had come from a store called Dessert, on India Street, and Adrienne recognized the name of the store as the one owned by the chef's wife, the redhead who had been so kind during soft opening. If you come in, I'd love to dress you, free of charge. So maybe Thatch didn't pay for these clothes. Still, it was weird. Weird that Thatcher had told her she needed a look, weird that he (or the redhead) had perfectly identified it, and weird that she now had to model it for him, proving him right. She stepped out into the dining room. He gazed at her. And then he gave a long, low whistle. That did it: Her face heated up, the skin on her arms tingled. She had never felt so desirable in all her life.”

DressesDesirableDress Up
Book:The Blue Bistro
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“The proclamation had been very clear: All eligible maidens were to attend. All. High or low estate, fat or thin, short or tall, one leg or two. In one week's time, the prince was going to pick a pretty girl from the crowd and make a princess of her. To most women in the kingdom, it was as though God had extended His hand to them. But not to the seamstresses. To old Clara Le Dure, it seemed the king had decided this was the week she ought to die. He was personally seeing to it that she should stitch herself into oblivion.”

DressesFairy TalesFairytale RetellingCinderellaSeamstress
Book:The Magazine of Fantasy & Science Fiction, January/February 2020
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“. Designed to look like a breastplate, the corset was trimmed in silver with sections that looked like overlapping plate armor. It fell to a frothy skirt and the lace at the top of the corset draped around the neckline in a way that hinted more than revealed. Dark and mysterious, the entire expanse of the full skirt was sewn in what looked like a battle scene, complete with charging horses, flying arrows, and dying corpses. I wasn’t sure if I should be impressed or horrified. I felt a little of both.”

FantasyFashionDressesFantasy Dress
Book:Fly with the Arrow
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“Much of the clothing is moth-eaten, but I can see what they once were. A skirt with a beaded pattern of pomegranates, another that pulls up, like a curtain, to show a stage with jewelled mechanical puppets underneath. There is even one stitched with the silhouette of dancing fauns as tall as the skirt itself. I've admired Oriana's dresses for their elegance and opulence, but these awaken in me a hunger for a dress that's riotous. They make me wish I'd seen Locke's mother in one of her gowns. They make me think she must have liked to laugh.”

DressesHolly BlackThe Folk Of The AirJude DuarteJudeSkirtsGownsThe Cruel PrinceRiotousLiliana
Book:The Cruel Prince
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“Taryn is beautiful in her heavily embroidered dress, and Vivi radiant in soft violet grey with artfully sewn moths seeming to fly from her shoulder across her chest to gather in another group on one side of her waist. I realise how rarely I've seen her in truly splendid clothes. Her hair is up, and my earrings glitter in her lightly furred ears. Her cat eyes gleam in the half light, twin to Madoc's. For once, that makes me smile.”

DressesHolly BlackThe Folk Of The AirJude DuarteThe Cruel PrinceMothsTaryn DuarteTarynVivi DuarteVivi
Book:The Cruel Prince
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