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Gowns Quotes

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Gowns Quotes

“I know High Ladies are probably supposed to wear a new dress every day,' I mused, smiling at the gown, 'but I'm rather attached to this one.' He ran his hand down my thigh. 'I'm glad.' 'You never told me where you got it- where you got all my favourite dresses.' Rhys arched a dark brow. 'You never figured it out?' I shook my head. For a moment, he said nothing, his head dipping to study the dress. 'My mother made them.' I went still.' Rhys smiled sadly at the shimmering gown. 'She was a seamstress, back at the camp where she'd been raised. She didn't just do the work because she was ordered to. She did it because she loved it. And when she mated my father, she continued.' I grazed a reverent hand down my sleeve. 'I- I had no idea. His eyes were star-bright. 'Long ago, when I was still a boy, she made them- all your gowns. A trousseau for my future bride.' His throat bobbed. 'Every piece... Every piece I have ever given you to wear, she made them. For you.' My eyes stung as I breathed. 'Why didn't you tell me?' 'He shrugged with one shoulder. 'I thought you might be... disturbed to wear gowns made by a female who died centuries ago.' I put a hand over my heart. 'I am honoured, Rhys. Beyond words.' His mouth trembled a bit. 'She would have loved you.' It was as great a gift as any I'd been given. I leaned down until our brows touched. I would have loved her. I felt his gratitude without him saying a word as we remained there, breathing each other in for long minutes.”

“Much of the clothing is moth-eaten, but I can see what they once were. A skirt with a beaded pattern of pomegranates, another that pulls up, like a curtain, to show a stage with jewelled mechanical puppets underneath. There is even one stitched with the silhouette of dancing fauns as tall as the skirt itself. I've admired Oriana's dresses for their elegance and opulence, but these awaken in me a hunger for a dress that's riotous. They make me wish I'd seen Locke's mother in one of her gowns. They make me think she must have liked to laugh.”

“The pink?" she suggested, holding the shimmering rose-colored satin in front of Sara's half-clad figure. Sara held her breath in awe. She had never worn such a sumptuous creation. Silk roses adorned the sleeves and hem of the gown. The short-waisted bodice was finished with a stomacher of silver filigree and a row of satin bows. Lily shook her head thoughtfully. "Charming, but too innocent." Sara suppressed a disappointed sigh. She couldn't imagine anything more beautiful than the pink satin. Busily Monique discarded the gown and sorted through the others. "The peach. No man will be able to keep his eyes from her in that. Here, let us try it, chérie." Raising her arms, Sara let the dressmaker and her assistant Cora pull the gauzy peach-hued gown over her head. "I think it will have to be altered a great deal," Sara commented, her voice muffled beneath the delicate layers of fabric. The gowns had been fitted for Lily's lithe, compact lines. Sara was more amply endowed, with a generous bosom and curving hips, and a tiny, scoped-in waist... a figure style that had been fashionable thirty years ago. The current high-waisted Grecian mode was not particularly flattering to her. Monique settled the gown around Sara's feet and then began to yank the back of it together. "Oui, Lady Raiford has the form that fashion loves." Energetically, she hooked the tight bodice together. "But you, chérie, have the kind that men love. Draw in your breath, s'il vous plaît." Sara winced as her breasts were pushed upward until they nearly overflowed from the low-cut bodice. The hem of the unusually full skirt was bordered with three rows of graduated tulip-leaves. Sara could hardly believe the woman in the mirror was herself. The peach gown, with its transparent layers of silk and shockingly low neckline, had been designed to attract a man's attention. It was too loose at the waist, but her breasts rose from the shallow bodice in creamy splendor pushed together to form an enticing cleavage.”

“Now it is necessary to court her, and win her, and put on this clean dressing gown, and cut my various nails, and drink something that will kill the millions of germs in my mouth, and say something flattering, and be witty and bonny, and hale and kinky, all just to ease this wrinkle in the groin. It seems a high price.”

“Anti-intellectualism ... has been present in some form and degree in most societies; in one it takes the form of the administering of hemlock, in another of town-and-gown riots, in another of censorship and regimentation, in still another of Congressional investigations.”

“The sign work of the Orient it runneth up and down; The Talmud stalks from right to left, a rabbi in a gown; The Roman rolls from left to right from Maytime unto May; But the gods shake up their symbols in an absent-minded way. Their language runs to circles like the language of the eyes, Emphasised by strange dilations with little panting sighs.”

“Once various forms were signed, I was separated from my free will, led down the corridors into a room which was now to be the boundary of my existence, told to surrender my clothes, handed that comic invention, the hospital gown, and sent to bed in broad daylight like a child being stripped of her privileges.”

“It often seems that the poet's derisive comment is not unjustified when he says of the philosopher: “With his nightcaps and the tatters of his dressing-gown he patches the gaps in the structure of the universe.”

“To know nothing, or little, is in the nature of some husbands. To hide, in the nature of how many women? Oh, ladies! how many of you have surreptitious milliners' bills? How many of you have gowns and bracelets which you daren't show, or which you wear trembling?--trembling, and coaxing with smiles the husband by your side, who does not know the new velvet gown from the old one, or the new bracelet from last year's, or has any notion that the ragged-looking yellow lace scarf cost forty guineas and that Madame Bobinot is writing dunning letters every week for the money!”

“What I object to is the hyper-fetishized wedding day, the prioritizing of wedding over marriage. I have a real problem with couples spending far more time discussing the seating arrangement or the color of the bridesmaid's gowns than hashing out, for instance, their feelings about how they intend to handle questions of housework, child-rearing, finances and fidelity for the next four or five decades.”

“The rites of passage in the academic world are arcane and, in their own way, highly romantic, and the tensions and unplesantries of dissertations and final oral examinations are quickly forgotten in the wonderful moment of the sherry afterward, admission into a very old club, parties of celebration, doctoral gowns, academic rituals, and hearing for the first time "Dr.," rather than "Miss" Jamison.”

“I hate to do what everybody else is doing. Why, only last week, on Fifth Avenue and some cross streets, I noticed that every feminine citizen of these United States wore an artificial posy on her coat or gown. I came home and ripped off every one of the really lovely refrigerator blossoms that were sewn on my own bodices.”