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Quilts Quotes

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Quilts Quotes

“When I asked Grandma about it she told me in her own way . . .she wanted me to know that each time I looked at my quilt it would remind me to be compassionate with other and identify with their struggles. I remember her exact words, same ones she repeated so many times: "Chile, Grandma never wants you to look at the bad in folks and go backwards. I wants you to look at the good in them and go forward. If you jest look at the bad you gonna fine zactly what you lookin' for. Even the worse folks got a speck of good, you jest gotta fine it.”

“I've had a heap o' comfort all my life makin' quilts, and now in my old age I wouldn't take a fortune for 'em. Set down here, child, where you can see out o' the winder and smell the lilacs, and we'll look at 'em all. You see, some folks has albums to put folks' pic tures in to remember :em by, and some folks has a book and writes down the things that happen every day so they won't forgit 'em; but, honey, these quilts is my albums and my di'ries, and whenever the weather's bad and I can't git out to see folks, I jest spread out my quilts and look at 'em and study over 'em, and it's jest like goin' back fifty or sixty years and livin' my life over agin. "There ain't nothin' like a piece o' caliker for bringin' back old times, child, unless it's a flower or a bunch o'thyme or a piece o' pennyroy'l — anything that smells sweet. Why, I can go out yonder in the yard and gether a bunch o' that purple lilac and jest shut my eyes and see faces I ain't seen for fifty years, and somethin' goes through me like a flash o' lightnin', and it seems like I'm young agin jest for that minute.”

“The calendar gave him unmoving pools of quiet in which to rest. He spent hours looking at the calendar. It was time past and time to come, divided into neat little boxes, and the boxes named and numbered. He would look at a box ahead, say, February 25, 1917, and think, Inside that box, I and everyone else on earth, minus a few who will die before then and plus a few who will be born, will have our lives. Inside that box, each of my acts and feelings for that twenty-four hours awaits me. And because he was sick, there was not much he could do to prepare for or to control those acts which waited for him to become their center. . . . Most of the time, he was alone. He took deep breaths of the raw smell of seed potatoes, newly cut and bleeding their milky starch. He inhaled the sun-warmed scent of the creosote-stained redwood planks. The top quilt on his bed was pieced in a star design. Each star was made up of God knows how many pieces, and each piece was of a different color and design. The designs were a tanglewood maze of leaves and flowers and stars and branches. When he got tired of calendar quiet and of cataloging smells, he took up quilt-gazing. He didn't need a world a minute bigger than his room, an inch wider than his calendar, or an iota sweeter than his own breath. But he was the only one who knew this.”

“The eldest ones said that the laughter and tears are sewn right into the quilt, part and parcel, stitch by stitch. Emotions, experiences, heartbreak, mourning, pain and regret, stitched into the cloth, along with happiness, satisfaction, cheer, comfort, and love. The finished quilts were a living thing, a reflection of the spirits of its creators.”

“Some women don't care how their quilts look. They piece the squares together any sort of way, but she couldn't stand careless sewing. She wanted her quilts, and Joy's, made right. Quilts stay a long time after people are gone from this world, and witness about them for good or bad. She wanted people to see, when she was gone, that she'd never been a shiftless or don't-care woman.”

“Any fool can make a quilt; and, after we had made a couple of dozen over twenty years ago, we quit the business with a conviction that nobody but a fool would spend so much time in cutting bits of dry goods into yet small bits and sewing them together again, just for the sake of making believe that they were busy at practical work.”

“My focus on silence is to be understood as an intrinsic part of the body's search for meaning amongst the noisy assaults of everyday life. ... What quilts have brought to the viewing of art generally is this intervening layer of silence, of collected thought and concerted attention.”

“Three days after my boyfriend left me, I discovered a closetful of his clothes. I thought of what I'd done in the past (bundling them up and sending them, COD: distributing them to my friends) even as I already had the scissors in hand and was cutting his shirts and a pair of pants into teeny pieces. When there was nothing left of his ghost except a large pile of cloth, I decided to learn how to quilt.”

“The ballpark is the star. In the age of Tris Speaker and Babe Ruth, the era of Jimmie Foxx and Ted Williams, through the empty-seats epoch of Don Buddin and Willie Tasby and unto the decades of Carl Yastrzemski and Jim Rice, the ballpark is the star. A crazy-quilt violation of city planning principles, an irregular pile of architecture, a menace to marketing consultants, Fenway Park works. It works as a symbol of New England's pride, as a repository of evergreen hopes, as a tabernacle of lost innocence. It works as a place to watch baseball.”

“The home was a school. Farm and cabin households, though bookless save for the Family Bible and The Sacred Harp, taught the girls to spin, weave, quilt, cook, sew, and mind their manners; the boys to wield gun, ax, hammer and saw, to ride, plow, sow and reap, and to be men. Nobody need ever be bored. Amusement did not have to be bought.”

“When I was a boy we were poor and we had to make do with what we had. So my grandma used to make us quits that we used for blankets. She couldn't afford to go to the store and buy a blanket -- so she'd take scraps of cloth and sew them together. there'd be different colors and different patterns and different types of cloth -- but they all went together to make that big quilt to keep us warm.”

“I think our lives are connected by threads. We're weaving our own quilts as we go along and it has been my experience that there are so many threads that connect people. Invisible threads, strong threads, sparkling threads, but I think there is so much interconnectivity between people and I acknowledge that and I see it all the time. I think some of that is divine.”

“Any time women come together with a collective intention, it's a powerful thing. Whether it's sitting down making a quilt, in a kitchen preparing a meal, in a club reading the same book, or around the table playing cards, or planning a birthday party, when women come together with a collective intention, magic happens.”

“There are random moments - tossing a salad, coming up the driveway to the house, ironing the seams flat on a quilt square, standing at the kitchen window and looking out at the delphiniums, hearing a burst of laughter from one of my children's rooms - when I feel a wavelike rush of joy. This is my true religion: arbitrary moments of of nearly painful happiness for a life I feel privileged to lead.”

“Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish.”

“I wonder if the snow loves the trees and fields, that it kisses them so gently? And then it covers them up snug, you know, with a white quilt; and perhaps it says "Go to sleep, darlings, till the summer comes again.”

“Each member of the family in his own cell of consciousness, each making his own patchwork quilt of reality - collecting fragments of experience here, pieces of information there. From the tiny impressions gleaned from one another, they created a sense of belonging and tried to make do with the way they found each other.”

“The kiss began much the same as usual--Edward was as careful as ever, and my heart began to overreact like it always did. And then something seemed to change. Suddenly his lips became much more urgent, his free hand twisted into my hair and held my face securely to his. And though I was clearly beginning to cross his cautious lines, for once he didn't stop me. His body was cold through the thin quilt, but I crushed myself against him eagerly.”

“I grow old though pleased with my memories The tasks I can no longer complete Are balanced by the love of the tasks gone past I offer no apology only this plea: When I am frayed and strained and drizzle at the end Please someone cut a square and put me in a quilt That I might keep some child warm And some old person with no one else to talk to Will hear my whispers And cuddle near”