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Quilt Quotes

Browse 25 quotes about Quilt.

Quilt Quotes

“It tugs at me, filling me with the kind of seasick nostalgia that can hit you in the gut when you find an old concert ticket in your purse or an old coin machine ring you got down at the boardwalk on a day when you went searching for mermaids in the surf with your best friend. That punch of nostalgia hits me now and I start to sink down on the sky-coloured quilt, feeling the nubby fabric under my fingers, familiar as the topography of my hand.”

“In your life, the people become like a patchwork quilt. Some leave with you a piece that is bigger than you wanted and others smaller than you thought you needed. Some are that annoying itchy square in the corner, and others that piece of worn flannel. You leave pieces with some and they leave their pieces with you. All the while each and every square makes up a part of what is you. Be okay with the squares people leave you. For life is too short to expect from people what they do not have to give, or were not called to give you.”

“She sat still, I thought, and yet she traveled. And when one stitches, the mind travels, not the way men do, with ax and oxen through the wilderness, but surely our traveling counted too, as motion. And I thought of the patience of the stitches. Writing a book, I thought, which men often do, but women only rarely, has the posture of sewing. One hand leads, and the other hand helps. And books, like quilts, are made, one word at a time, one stitch at a time.”

“I do NOT like patchwork,” said Anne dolefully, hunting out her workbasket and sitting down before a little heap of red and white diamonds with a sigh. “I think some kinds of sewing would be nice; but there’s no scope for imagination in patchwork. It’s just one little seam after another and you never seem to be getting anywhere. But of course I’d rather be Anne of Green Gables sewing patchwork than Anne of any other place with nothing to do but play.”

“A plain, brown paper-wrapped package came in the mail recently. Upon opening it, I saw that it was a patchwork quilt about four feet by five feet. Many little scraps of cloth, carefully joined by loving hands. Two squares have suggestions of a black cassock and Roman white collar. The maker of the quilt states, “In its variety, I feel it denotes confusion and the world “mixed” up. There are dark spots for the dark times and bright squares, so, hopefully, some good and brightness will come in the future. The other pieces of cloth were of happy times, mothers and children, peaceful settings, happy things.” A note inside stated that she felt we were “scraps,”—the “scraps” that the abusive priests treated us like. They would use us as a scrap is used and then simply toss us aside. I was moved to tears. Holding it in my hands, I could almost feel others' pain and suffering, as I touched each panel. It is a magnificent work, worthy of a prize. I was deeply humbled by the receipt of the quilt. This woman got it; she really got it. This woman got it; she really got it. She has a deeper understanding of what we have gone through. It is rare.”

“Maybe at the end of our lives we get a Ferris-Wheel vantage of the whole tapestry, the quilt laid flat, answering for its complexity. At the beginning we’re handed frayed and stained flowery bed sheets, a scrap of polka-dots, a snatch of strawberry print. Tattered as they are, there’s some sustaining sweetness in there. The oldest pioneer quilts conceal bits of paper batting between their threadbare layers: postcards, recipes, clipped snippets of newspaper poetry. Every spare material had a part to play, fragments of experience and feeling arranged in a repeating pattern, little sewn sound bytes spinning ordered fractals.”

“I've always loved funky rustic quilts more than elegant and maybe lovelier ones. You see the beauty of homeliness and rough patches in how they defy expectations of order and comfort. They have at the same time enormous solemnity and exuberance. They may be made of rags, torn clothes that don't at all go together, but they somehow can be muscular and pretty. The colors are often strong, with a lot of rhythm and discipline and a crazy sense of order. They're improvised, like jazz, where one thing leads to another, without any idea of exactly where the route will lead, except that it will refer to something else maybe already established, or about to be. Embedded in quilts and jazz are clues to escape and strength, sanctuary and warmth. the world is always going to be dangerous, and people get badly banged up, but how can there be more meaning than helping one another stand up in a wind and stay warm?”

“She holds the fabric, threads running through her fingers, a quiet rhythm of time. Each patch, a piece of her, becomes moments sewn into the seams, stories stitched into the space between. The jacket grows beneath her hands, a map of warmth and strength, woven by the quiet care of a woman who knows how to make something whole from fragments.”