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Ballparks Quotes

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Ballparks Quotes

“A brick is a biographical film in which a young orphan brick from the wrong side of the track grows up to be one of the most important bricks in all brick kind, as it is now quite literally the cornerstone of one of America’s greatest ballparks.(Fenway)”

“It gives us a lot of versatility and flexibility. Looking ahead, we've got a lot of good young players coming through the system. As they make their way, we'll have some tough decisions down the road. I'm just glad to have this one bat in our lineup that can drive in 100 runs, hit 25 to 30 home runs at least, and in our ballpark, maybe more.”

“So much happened (in 1968) it was hard to keep up with everything. We had Denny McLain's thirty-one victories, Gates Brown's great pinch-hitting in the clutch, Tom Matchick's home run to beat Baltimore in the ninth inning, then Daryl Patterson striking out the side to beat them in the ninth. Excitement every day in the ballpark.”

“I haven't given it (achieving 3,000 hits) much thought. I was taught a certain approach, how to come to the ballpark. I try not to do too much thinking about things like that. In this society we measure success in different ways. Three thousand (hits) represents success over a career, not a season. It'll be nice to get to that point.”

“Probably the most dramatic change in pitching I've observed in my years in baseball has been the disappearance of the knockdown or brushback pitch. This is why record numbers of home runs are flying out of ballparks, why earned run averages are soaring, and why there are so few twenty game winners in the majors.”

“The ballpark is the star. In the age of Tris Speaker and Babe Ruth, the era of Jimmie Foxx and Ted Williams, through the empty-seats epoch of Don Buddin and Willie Tasby and unto the decades of Carl Yastrzemski and Jim Rice, the ballpark is the star. A crazy-quilt violation of city planning principles, an irregular pile of architecture, a menace to marketing consultants, Fenway Park works. It works as a symbol of New England's pride, as a repository of evergreen hopes, as a tabernacle of lost innocence. It works as a place to watch baseball.”

“I used to love to come to the ballpark. Now I hate it. Every day becomes a little tougher because of all this. Writers, tape recorders, microphones, cameras, questions and more questions. Roger Maris lost his hair the season he hit sixty-one. I still have all my hair, but when it's over, I'm going home to Mobile and fish for a long time.”

“Well technology has changed a lot of things, making it possible for just about anyone to make music. But not everybody is a songwriter, so that puts me in a completely different ballpark than the other DJs out here that are writing and producing tracks. I don't stop at tracks, I try to complete the whole package with the song. So working at that level has put me in a completely different place.”

“It's one of those things that it's everything you think it is, but then again you have to - you need time to really process the entire situation. You stand out on that platform afterwards and you're looking at the ballpark and the fans and the W flags everywhere, and truthfully I do think about everybody, I think about the fans and their parents and their grandparents and great-grandparents and everything that's been going on here for a while. So you think that - I think about my coaching staff.”

“A man I know who writes and aspires to be a novelist does very little reading, and he's not that successful. But I think it's because he's like the kid who wants to be a ballplayer and never goes to the ballpark or tries to hit a ball. So I'd say reading is the most important thing that I do, besides the actual writing. I'm always asking as I read, "How did the writer do this? Why do I suddenly have tears in my eyes? Why am I crying?"”

“I was in the show for 21 days once-the 21 greatest days of my life. You know, you never handle your luggage in the show, somebody else carries your bags. It was great. You hit white balls for batting practice, the ballparks are like cathedrals, the hotels all have room service, and the women all have long legs and brains.”