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Bell Jar Quotes

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Bell Jar Quotes

“è come sollevara una campana di vetro posta sopra una comunità dove tutto funziona come un meccanismo oliato, e vedere i minuscoli, indaffarati abitanti arrestarsi di colpo, boccheggiare, gonfiarsi e librarsi nell'aflusso ( anzi, nel deflusso) della rarefatta atmosfera della norma: poveri esserini spaventati che agitano le braccia impotenti nell'aria indecisa. è così che ci sente a liberarsi dalla routine.”

“The key problem is to find out why that sector of society of the past, which I would not hesitate to call capitalist, should have lived as if in a bell jar, cut off from the rest; why was it not able to expand and conquer the whole of society?... [Why was it that] a significant rate of capital formation was possible only in certain sectors and not in the whole market economy of the time?”

“All cultures have things to learn from all other cultures. Don't get stuck in your culture! Go beyond it! Get out of your aquarium; get out of your farm; get out of your castle; break your bell jar! Give chance to other cultures and to other opinions! This is the best way for you to see the insufficiencies, absurdities and stupidities in your culture!”

“I kind of don't believe in actors directing themselves. Obviously some people have done it well, but I don't see how I could. It's funny that you ask, because I've just been thinking that maybe I'd rather direct The Bell Jar than act in it. It's a huge leap to go from a short to a feature, so I'm tentative - I'm like, Well, that's just so triple-type-A personality of you.”

“Death must be so beautiful. To lie in the soft brown earth, with the grasses waving above one's head, and listen to silence. To have no yesterday, and no tomorrow. To forget time, to forgive life, to be at peace.”

“I thought the most beautiful thing in the world must be shadow, the million moving shapes and cul-de-sacs of shadow. There was shadow in bureau drawers and closets and suitcases, and shadow under houses and trees and stones, and shadow at the back of people's eyes and smiles, and shadow, miles and miles and miles of it, on the night side of the earth.”

“The moment in The Bell Jar when Esther Greenwood realizes after thirty days in the same black turtleneck that she never wants to wash her hair again, that the repeated necessity of the act is too much trouble, that she wants to do it once and be done with it, seems like the book's true epiphany. You know you've completely descended into madness when the matter of shampoo has ascended into philosophical heights.”

“I didn’t want my picture taken because I was going to cry. I didn’t know why I was going to cry, but I knew that if anybody spoke to me or looked at me too closely the tears would fly out of my eyes and the sobs would fly out of my throat and I’d cry for a week. I could feel the tears brimming and sloshing in me like water in a glass that is unsteady and too full.”

“It was like the first time i saw a cadaver. For weeks afterward the cadavers head, or what was left of it - floated up behind my eggs and bacon at breakfast and in the face of Buddy Willard, who was responsible for my seeing it in the first place, and pretty soon I felt as though I were carrying that cadavers head around with me on a string, like some black, noseless balloon stinking of vinegar.”