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Quote by Amie Kaufman

“Tarver lifts one hand to touch my face, tracing the curve of my cheek. “Lilac, if something happened to you,” he murmurs, “I would be anything but fine.”

Quote by Amie Kaufman

Book:These Broken Stars
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These Broken Stars

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Amie Kaufman

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“Only hinted at in some of these tales, and clearly stated in others, it is apparent that there was a long and continuing conflict between paganism and Christianity in the early centuries A.D. This may also be the explanation behind other well creation tales, such as the slaying by St Barry of a 'great serpent' in County Roscommon. The saint thrust his crozier at it before it disappeared into Lough Lagan, and where his knee touched the ground, a holy well, Tobar Barry, sprang up. Although the serpent may represent paganism, and the saint's victory is therefore the victory of Christianity over paganism, we cannot entirely ignore the possibility that some of the serpents in similar Irish tales may have been real water monsters, which are still seen from time to time in the lakes of Ireland and Scotland. These eerie, ugly monsters, with their aura of primeval mystery, appropriately symbolize the uncouth savagery which the Christians attributed to all non-Christian beliefs; but that is not to say that the monsters were totally symbolic and did not have a reality of their own.”

ChristianityPaganSerpentLake MonsterSea SerpentWater Monster
Book:Sacred Waters
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“Childermass knew what games the children on street-corners are playing - games that all other grown-ups have long since forgotten. Childermass knew what old people by firesides are thinking of, though no one has asked them in years. Childermass knew what young men hear in the rattling of the drums and the tooting of the pipes that makes them leave their homes and go to be soldiers - and he knew the half-eggcupful of glory and the barrelful of misery that await them. And all that Childermass knew made him smile; and some of what he knew made him laugh out loud; and none of what he knew wrung from him so much as ha'pennyworth of pity.”

MagicSlyClever ManSusanna ClarkeJonathan Strange And Mr NorrellChildermass
Book:Jonathan Strange & Mr Norrell
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“One cannot write about Jonathan Strange and Mr. Norrell without considering the footnotes. The experienced reader is conditioned to see footnotes as dry, as a way of grounding the text in reality. But footnotes are also an intervention, or intrusion into the flow of the text, and Clarke takes advantage of this figuring. In Jonathan Strange and Mr. Norrell, it is in the footnotes that the world of the fantastic slips through to disrupt the meaning or common understanding of the tale told in the main text. The “explanation” they offer is of worlds slipping between each other, of uncontrolled contact with fairy.”

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Book:Rhetorics of Fantasy
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“Thieves are not so bad, and killing wears all possible costumes. There is no death, no murder that is better than any other. If you can kill me, the manner hardly bears consideration. You want to kill your own father, and you think it will make your sleep easier for the next seventy years if you can say you did it honorably. But your honor is blackened by patricide, and no amount of high-sounding formalities will make it white again.”

KingsHonorMurderPrincesPatricide
Book:In the Night Garden
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