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Quote by Richelle Mead

Work

The Golden Lily

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Author

Richelle Mead
Richelle Mead

Richelle Mead is an American author renowned for her young adult fantasy novels. Her most famous work is the 'Vampire Diaries' series, which has gained a massive global readership. Mead's books often blend history, mythology, and modern elements, appealing to young readers. more

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“Stillness makes for a capable mirror. Look down in a rough and fast current, and you won’t see a thing. Still water allows you to lean in without danger and really see yourself. And in doing so, you may remember a liberty over yourself that is easily forgotten when things are jostling about.”

“Solitude can be a profound teacher. It can teach us how to hold ourselves—how to affirm ourselves and listen. How much is the sound of your own voice worth? And yet, we were made for belonging. Maybe you’ve heard it said that you need to learn how to be alone before you can be with someone. I say you have to learn how to be with and part of something in order to know how to be alone. I think it is only out of a deep anchoring in community that one can be free to explore the solitary.”

“I’m learning to befriend my body again. It does not always move the way I want it to, but I have made a commitment that if it ceases to move at all, if I lose all control and agency, if my hands go numb in the night and never wake again, even still I will not forsake my body. To be people capable of extending welcome to the body, even those bodies the world discards and demeans, is to be people of profound liberation. By this we will know our faith: We will stay whole.”

“Liberation is not a finality or an end point; it is an unending awakening. It is something we can both meet and walk away from within the same hour. Our responsibility to ourselves is to become so familiarized with it, so attuned to its sound, that when it calls out to us, we will know which way the table is. To answer the question of how one becomes attuned to liberation, I think we must ask ourselves: What sounds are drowning it out?”

“Activism is the body of justice. It invites you into embodied declarations of dignity and worth. As you participate in its body, you find yourself increasingly grounded in your own. I think activism is a virtue. To be a person who cares and honours creation is to be a person who acts in favour of its flourishing. I am distrustful of spiritual people who are not roused in their bodies on behalf of justice. We can disagree on what activism should look like, but not on the necessity of its existence or your participation in it.”

“The first time I picked up James Baldwin, I finally saw myself. It occurred to me that I could be an activist from my own source of power—words. It can only make our journey toward justice more robust, more beautiful, when we offer a diversity of paths, a more expansive vision of action. This is not new. This is Detour and Hiero Veiga's graffiti art resurrecting Black faces slain by the police. This is Tricia Hersey and The Nap Ministry creating collective sleeping experiences to reclaim the justice and liberation in rest. This is even, to some degree, some of the words you'll find in this book. Written in holy defiance of what is, and in imagination of what should be. If writing is a calling, I have a responsibility to demand justice in my writing as much as in the streets. When we expand our imaginations for activism, we enter into practices of lament and rage with more particularity, and we begin to realize more nuanced paths to justice.”

“Awe is not a lens through which to see the world but our sole path to seeing. Any other lens is not a lens but a veil. And I've come to believe that our beholding—seeing the veils of this world peeled back again and again, if only for a moment—is no small form of salvation. When I speak of wonder, I mean the practice of beholding the beautiful. Beholding the majestic—the snow-capped Himalayas, the sun setting on the sea—but also the perfectly mundane—that soap bubble reflecting your kitchen, the oxidized underbelly of that stainless steel pan. More than the grand beauties of our lives, wonder is about having the presence to pay attention to the commonplace. It could be said that to find beauty in the ordinary is a deeper exercise than climbing to the mountaintop. When people or groups become too enamoured with mountaintops, we should ask ourselves whether their euphoria comes from love or from the experience of supremacy. For example, whiteness, as a sociological force and practice, loves mountaintops. Being born of an appetite not for flourishing but for domination, it loves the ascent, the conquering. It will tell you about the view from there, but be assured that it is only its view of itself that rouses its spirit. It is about bravado and triumph. There is nothing wrong with climbing the mountain, but bravado tends to drown out the sound of wonder. Perhaps you've known that person who devours beauty as if it belongs to them. It is a possessive wonder. It eats not to delight but to collect, trade, and boast. It consumes beauty to grow in ego, not in love. It climbs mountains to gain ownership, not to gain freedom.”

“Call it archaic, but I think confession is liberation. It is easy to think that in injustice only the oppressed have their freedom to gain. In truth, the liberation of the oppressor is also at stake. Whether it's the privilege we've inherited or space we've stolen, what began as guilt will mutate into shame, which is much more sinister and decidedly heavier on the soul. It doesn't just weigh on the heart; it slithers into the gap of every joint, making everything swollen and tender. We learn to walk differently in order to carry the shame, but then we become prone to manipulate things like nearness and connection just to relieve our own swelling […] Truth-telling is critical to repair. But confession alone—which tends to serve the confessor more than the oppressed—will never be enough. Reparations are required. To expect repair without some kind of remittance would be injustice doubled. What has been stolen must be returned. This is not vengeance, it's restoration.”