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The Midnight Library

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Matt Haig
Matt Haig

Matt Haig is a British novelist born in 1975. His works are known for their humor and profound emotional insight, enjoying great popularity among readers. Haig's writing spans a variety of genres, including science fiction, fantasy, and realism. more

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“She had thought, in her nocturnal and suicidal hours, that solitude was the problem. But that was because it hadn't been true solitude. The lonely mind in the busy city yearns for connection because it thinks human-to-human connection is the point of everything. But amid pure nature (or the 'tonic of wildness' as Thoreau called it) solitude took on a different character. It became in itself a kind of connection. A connection between herself and the world. And between her and herself.”

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“She remembered a conversation she'd had with Ash. Tall and slightly awkward and cute and forever in need of a new songbook for his guitar. The chat hadn't been in the shop but in the hospital, when her mother was ill. Shortly after discovering she had ovarian cancer, she had needed surgery. Nora had taken her mum to see all the consultants at Bedford General Hospital, and she had held her mum's hand more in those few weeks than in all the rest of their relationship put together.”

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“And that had led to them talking about social media — he believed that the more people were connected on social media, the lonelier society became. 'That's why everyone hates each other nowadays,' he reckoned. 'Because they are overloaded with non-friend friends. Ever heard about Dunbar's number?' And then he had told her about a man called Roger Dunbar at Oxford University, who had discovered that human beings were wired to know only a hundred and fifty people, as that was the average size of hunter-gatherer communities. 'And the Domesday Book.' Ash had told her, under the stark lighting of the hospital canteen, 'if you look at the Domesday Book, the average size of an English community at that time was a hundred and fifty people. Except in Kent. Where it was a hundred people. I'm from Kent. We have anti-social DNA.' 'I've been to Kent,' Nora had countered. 'I noticed that. But I like that theory. I can meet that many people on Instagram in an hour.' 'Exactly. Not healthy! Our brains can't handle it. Which is why we crave face-to-face communication more than ever. And...which is why I would never buy my Simon & Garfunkel guitar chord songbooks online!”

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“There was no hatred in the polar bear's stare. Nora was just food. Meat. And that was a humbling kind of terror. Her heart poured like a drummer reaching the crescendo. The end of the song. And it became astoundingly clear to her, finally, in that moment: She didn't want to die. And that was the problem. In the face of death, life seemed more attractive, and as life seemed more attractive, how could she get back to the Midnight Library? She had to be disappointed in a life, not just scared of it, in order to try again with another book.”

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“There was death. Violent, oblivious death, in bear form, staring at her with its black eyes. And she knew then, more than she'd known anything, that she wasn't ready to die. This knowledge grew bigger than fear itself as she stood there, face to face with a polar bear, itself hungry and desperate to exist, and banged the ladle against the saucepan. Harder. A fast, staccato bang bang bang.”

Matt HaigThe Midnight Library
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