Quotessence
Home / Quotes / Quote by Tamara Faith Berger

Quote by Tamara Faith Berger

“I remember the embarrassment I felt when Lie With Me came out over ten years ago. There was no good way for me to explain why I shot fiction with pornography, hoping for the best. That initial public embarrassment was likely a kind of useless repression. Because I had no big truth to tell about myself. Now, though, in retrospect, I know why I wrote Lie With Me. It was to sustain this perfect, merciless feeling I first had while spitting art’s extremity into the suckhole of porn. And it’s not embarrassing for me to admit anymore that I was desperate to find meaning in this action. Unfortunately, by the end of two books I didn’t know any more about female sexuality than when I’d started out. My mercilessness had not blossomed into compassion either. Is untapped sexual energy in women even still a problem these days? In 1999, I felt that problem as acutely as my shame. And it was this push-pull of pressures that made me transcribe and complicate the getting-fucked female voice - a voice that I found in porn, a voice that was utterly wasted by porn. Porn needed fiction, I felt. I needed the fight.”

Quote by Tamara Faith Berger

Work

Little Cat

Browse quotes and source details for this work. more

Author

Tamara Faith Berger

Browse famous quotes and profile details for Tamara Faith Berger. more

You May Also Like

“A few years ago, long after it had been closed, Eli said he saw a girl swimming in it, coming out of the water in a bikini, laughing at her frigthtened boyfriend, seaweed snaking around her. He said she looked like a mermaid. Deenie always pictured it like in one of those books of mythology she used to love, a girl rising from the foam gritted with pearls, mussels, the glitter of the sea. "It looks beautiful", her mother had said once when they were driving by at night, its waters opaline. “It is beautiful. But it makes people sick.” To Deenie, it was one of many interesting things that adults said would kill you: Easter lilles, jellyfish, copperhead snakes with their diamond heads, tails bright as sulfur. Don't touch, don't taste, don't get too close. And then, last week.”

“The human mind and the peacock’s tail may serve similar biological functions. The peacock’s tail is the classic example of sexual selection through mate choice. It evolved because peahens (female peacock) preferred larger, more colorful tails. Peacocks would survive better with shorter, lighter, drabber tails. But the sexual choices of peahens have made peacocks evolve big, bright plumage that takes energy to grow and time to preen, and makes it harder to escape from predators such as tigers. The human mind’s most impressive abilities are like the peacock’s tail: they are courtship tools, evolved to attract and entertain sexual partners. By shifting our attention from a survival-centered view of evolution to a courtship-centered view, I shall try to show how, for the first time, we can understand more of the richness of human art, morality, language, and creativity.”

“Dylan looked promising. Tomboy. Tall and deliciously rangy. Her raven hair was unevenly sliced, streaked auburn in a patch or two. A thatch of black hair hung like a flag of bad-girl honor over Dylan’s right eye. She was delightfully loud. Her black, paint-splattered jeans were ripped at both knees. She wore a red T-shirt that proclaimed: “Ask Me About My Big Pink Pussy.”

“Mother," said little Pearl, "the sunshine does not love you. It runs away and hides itself, because it is afraid of something on your bosom. Now, see! There it is, playing, a good way off. Stand you here, and let me run and catch it. I am but a child. It will not flee from me; for I wear nothing on my bosom yet!" "Nor ever will, my child, I hope," said Hester. "And why not, Mother?" asked Pearl, stopping short, just at the beginning of her race. "Will it not come of its own accord, when I am a woman grown?”