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Quote by Frances Hodgson Burnett

“It's something, it can be nothing. I don't know its name, so I call it magic. I've never seen a sunrise, but Mary and Dickon have, and for what they tell me, I'm sure that is magic, too. Something pushes it up and draws it. Sometimes since I've been in the garden I've looked I've looked up through the trees at the sky and I have had a strange feeling of being happy as if something were pushing and drawing in my chest and making me breathe fast. Magic is always pushing and drawing and making things out of nothing. Everything is made out of Magic, leaves and trees, flowers and birds, badgers and foxes and squirrels and people. So it must be all around us. In this garden--in all the places. The Magic in this garden has made me stand up and know I am going to live to be a man. I am going to make the scientific experiment of trying to get some and put it in myself and make it push and draw me and make me strong. I don't know how to do it but I think that if you keep thinking about it and calling it perhaps it will come. Perhaps that is the first baby way to get it. When I was going to try to stand that first time Mary kept saying to herself as fast as she could, `You can do it! You can do it!' and I did. I had to try myself at the same time, of course, but her Magic helped me-and so did Dickon's. Every morning and evening and as often in the daytime as I can remember I am going to say, 'Magic is in me! Magic is making me well! I am going to be as strong as Dickon, as strong as Dickon!' And you must all do it, too. That is my experiment Will you help, Ben Weatherstaff?”

Quote by Frances Hodgson Burnett

Work

The Secret Garden

This novel, known for its evocative imagery and emotional depth, follows the journey of a young orphan girl who discovers a neglected garden in her new home. Through her efforts to restore the garden, she learns about the power of nature and the importance of nurturing one's inner and outer landscapes. more

Author

Frances Hodgson Burnett
Frances Hodgson Burnett

Frances Hodgson Burnett was an English playwright known for her rich imagination and delicate emotional descriptions. Her works spanned various genres including drama, novels, and poetry, with her most famous works being 'Little Women' and 'The Secret Garden'. Born on November 24, 1849, she passed away on October 29, 1924. more

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“A Rakshasi did not live here. A princess did. I was staring into the most dazzling garden I had ever seen. Cobblestone pathways meandered between rows of salmon-hued hibiscus, regal hollyhock, delicate impatiens, wild orchids, thorny rosebushes, and manicured shrubs starred with jasmine. Bunches of bougainvillea cascaded down the sides of the wall, draped across the stone like extravagant shawls. Magnolia trees, cotton-candy pink, were interspersed with coconut trees, which let in streaks of purplish light through their fanlike leaves. A rock-rimmed pond glistened in a corner of the garden, and lotus blossoms sprouting from green discs skimmed its surface. A snow white bird that looked like a peacock wove in and out through a grove of pomegranate trees, which were set aflame by clusters of deep orange blossoms. I had seen blue peacocks before, but never a white one. An Ashoka tree stood at one edge of the garden, as if on guard, near the door. A brief wind sent a cluster of red petals drifting down from its branches and settling on the ground at my feet. A flock of pale blue butterflies emerged from a bed of golden trumpet flowers and sailed up into the sky. In the center of this scene was a peach stucco cottage with green shutters and a thatched roof, quaint and idyllic as a dollhouse. A heavenly perfume drifted over the wall, intoxicating me- I wanted nothing more than to enter.”

“She guided me down a narrow cobblestone path winding toward the cottage. Blue-and-white flowers shaped like conch shells bordered the path, and their satiny petals brushed against my ankles. The heady fragrance of frangipane lingered in the air. A rainbow of butterflies circled above our heads. The cottage's thatched roof winked under the sun. The peacock was lying on the front step, docile and languid as a Persian cat. He lifted his head to meet Tulasi's outstretched hand. "This is Puck," she said, stroking his feathers. "Aren't you afraid he'll fly away?" "No, Puck would never do that. He's just as bound to this garden as I am.”

“When he turned the handle of the gate, he stood, transfixed, as it opened like the cover of a book onto a scene that seemed too perfect to be real. An effusive garden grew between the flagstone path and the house, foxgloves waving brightly in the breeze, daisies and violets chattering over the edges of the paving stones. The jasmine that covered the garden wall continued its spread across the front of the house, surrounding the multipaned windows to tangle with the voracious red flowers of the honeysuckle creeper as it clambered over the roof of the entry alcove. The garden was alive with insects and birds, which made the house seem still and silent, like a Sleeping Beauty house. Leonard had felt, as he took his first step onto the path, as if he were walking back through time; he could almost see Radcliffe and his friends with their paints and easels set up on the lawn beyond the blackberry bramble...”

“It was a beautiful garden: the proportions, the plants, the feeling of enclosure granted by the surrounding stone wall. The fragrance, too, was heady: a hint of late-blooming jasmine mingled with lavender and honeysuckle. Birds flitted in the gaps between leaves, and bees and butterflies hovered over flowers in the ample garden beds. The gate through which she'd come was the side entrance, Juliet saw now, for another, larger path led away from the house towards a solid wooden gate set into the stones of the front wall. The wider path was lined on either side by standard roses wearing soft pink petals, and at its end was a large Japanese maple tree that had grown to reach across the front entrance.”