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Quote by Frances Hodgson Burnett

“I used always to be tired. When I dig I'm not tired at all. I like to smell the earth when it's turned up [...] There's naught as nice as th' smell o' good clean earth, except th' smell o' fresh growin' things when th' rain falls on 'em”

Quote by Frances Hodgson Burnett

Book:The Secret Garden
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The Secret Garden

This novel, known for its evocative imagery and emotional depth, follows the journey of a young orphan girl who discovers a neglected garden in her new home. Through her efforts to restore the garden, she learns about the power of nature and the importance of nurturing one's inner and outer landscapes. more

Author

Frances Hodgson Burnett
Frances Hodgson Burnett

Frances Hodgson Burnett was an English playwright known for her rich imagination and delicate emotional descriptions. Her works spanned various genres including drama, novels, and poetry, with her most famous works being 'Little Women' and 'The Secret Garden'. Born on November 24, 1849, she passed away on October 29, 1924. more

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“When he turned the handle of the gate, he stood, transfixed, as it opened like the cover of a book onto a scene that seemed too perfect to be real. An effusive garden grew between the flagstone path and the house, foxgloves waving brightly in the breeze, daisies and violets chattering over the edges of the paving stones. The jasmine that covered the garden wall continued its spread across the front of the house, surrounding the multipaned windows to tangle with the voracious red flowers of the honeysuckle creeper as it clambered over the roof of the entry alcove. The garden was alive with insects and birds, which made the house seem still and silent, like a Sleeping Beauty house. Leonard had felt, as he took his first step onto the path, as if he were walking back through time; he could almost see Radcliffe and his friends with their paints and easels set up on the lawn beyond the blackberry bramble...”

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Book:The Clockmaker's Daughter
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“It was a beautiful garden: the proportions, the plants, the feeling of enclosure granted by the surrounding stone wall. The fragrance, too, was heady: a hint of late-blooming jasmine mingled with lavender and honeysuckle. Birds flitted in the gaps between leaves, and bees and butterflies hovered over flowers in the ample garden beds. The gate through which she'd come was the side entrance, Juliet saw now, for another, larger path led away from the house towards a solid wooden gate set into the stones of the front wall. The wider path was lined on either side by standard roses wearing soft pink petals, and at its end was a large Japanese maple tree that had grown to reach across the front entrance.”

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“As shortcuts to spiritual and transcendent experiences, psychedelics played an important role in human evolution and galvanized pre-historic ritualistic cultures. In modern times, banning psychedelic drugs has proven to be counterproductive. Just as banning sexual activity does not stop sexual desire, outlawing psychedelic drugs does nothing to suppress the innate human urge for transcendental experiences. Besides, prohibition rarely works as we saw with alcohol or marijuana. Despite their classification and the legal hurdles around working with Schedule I substances in the U.S., psychedelics have undergone something of a renaissance among researchers, and for good reason.”

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Book:The Intelligence Supernova: Essays on Cybernetic Transhumanism, The Simulation Singularity & The Syntellect Emergence
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“What pushed you to be political? I’ve always been interested in politics, but when I first got out of college I just wanted to have fun and do non-political work. What happened was the Bush vs Gore election and the Supreme Court [decision]. That was the event that really shocked me into starting to do political cartoons. It was just so outrageous at the time. Then 9/11 and the Iraq War. I prefer doing a mix of straightforward political cartoons and more cultural cartoons about trends and facial hair and things like that. Now I feel silly doing a strip about beards. Maybe things will calm down and I can go back to doing cartoons about facial hair. As time went on and politics became more and more dire, that’s what really sent me down that path. Also I started picking up more and more clients that are explicitly political, like dailykos and The Progressive Magazine and once in a while The Nation will run a cartoon. That pushed me in a more political direction as well. (Interview with Comicsbeat)”

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“Q: What do you think will be the future of your field? There’s too much pessimism about the future for political cartooning. I think the future’s very bright. You see more and more sites like Politico that aggressively deploy cartoons on the homepage. I think the media is becoming increasingly visual… and increasingly made to match our shrinking attention spans. The business model for cartooning is going through a rough transition now, but in the long run the thing we cartoonists do—-deliver simple-minded political messages in short easily digestible bites—-is the direction the media in general is heading. We’re living in a media landscape that seems to get more infantile and politically simple-minded all the time—-look at the huge popularity of Glenn Beck…and I saw someplace recently that Jon Stewart is now the most trusted man in America. The clowns seem to be taking over the circus. This may be bad for governance, but it can only be good news for cartoonists. The interesting part will be what the platforms are going to be, cell phones, iPads, the iChip in my forehead, whatever it is, I’m sure the combination of visual metaphor and incisive humor you find in good cartoons will adapt and evolve and really thrive in the future. (Interview with Washington City Paper)”

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Author:Matt Wuerker
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