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Quote by Georges Bataille

Work

The Impossible: A Story of Rats followed by Dianus and by The Oresteia

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Author

Georges Bataille
Georges Bataille

French author and philosopher, born on September 10, 1897, and died on July 9, 1962. Bataille is known for his unique literary style and philosophical thinking, with works spanning various forms including novels, essays, and critiques. more

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“There are different kinds of darkness, and Joe Solomon knew them all. From the black that lives behind blindfolds to the deep shadows of prison cells built underground. He’d seen everything. But he never could get used to how the darkness of midnight always feels different from the darkness of dawn. One marks the end and the other the beginning, but as he sat beside the perfectly still water and watched the sky begin to brighten, he honestly didn’t know which one was coming.”

DarknessDawnMidnightEndBeginningJoe SolomonMr Solomon
Book:Cross My Heart And Hope To Spy
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“We stopped talking about Zampanô then. She paged her friend Christina who took less than twenty minutes to come over. There were no introductions. We just sat down on the floor and snorted lines of coke off a CD case, gulped down a bottle of wine and then used it to play spin the bottle. They kissed each other first, then they both kissed me, and then we forgot about the bottle, and I even managed to forget about Zampanô, about this, and about how much that attack in the tattoo shop had put me on edge. Two kisses in one kiss was all it took, a comfort, a warmth, perhaps temporary, perhaps false, but reassuring nonetheless, and mine, and theirs, ours, all three of us giggling, insane giggles and laughter with still more kisses on the way, and I remember a brief instant then, out of the blue, when I suddenly glimpsed my own father, a rare but oddly peaceful recollection, as if he actually approved of my play in the way he himself had always laughed and played, always laughing, surrendering to its ease, especially when he soared in great updrafts of light, burning off distant plateaus of bistre & sage, throwing him up like an angel, high above the red earth, deep into the sparkling blank, the tender sky that never once let him down, preserving his attachment to youth, propriety and kindness, his plane almost, but never quite, outracing his whoops of joy, trailing him in his sudden turn to the wind, followed then by a near vertical climb up to the angles of the sun, and I was barely eight and still with him and yes, that the thought that flickered madly through me, a brief instant of communion, possessing me with warmth and ageless ease, causing me to smile again and relax as if memory alone could lift the heart like the wind lifts a wing, and so I renewed my kisses with even greater enthusiasm, caressing and in turn devouring their dark lips, dark with wine and fleeting love, an ancient memory love had promised but finally never gave, until there were too many kisses to count or remember, and the memory of love proved not love at all and needed a replacement, which our bodies found, and then the giggles subsided, and the laughter dimmed, and darkness enfolded all of us and we gave away our childhood for nothing and we died and condoms littered the floor and Christina threw up in the sink and Amber chuckled a little and kissed me a little more, but in a way that told me it was time to leave.”

Darkness
Book:House of Leaves
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“Even as I write these words, which should be lucid and filled with glowing colour, I feel the very darkness of my own personality invading my pen. Only perhaps in the ink of this darkness can this writing properly be written? It is not really possible to write like an angel, though some of our near-gods by heaven-inspired trickery sometimes seem to do it.”

WritingDarknessPersonalityWritersCreative ProcessIris MurdochThe Black PrinceCraft
Book:The Black Prince
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