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Quote by Jeff Rasley, Jeffrey Rasley

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Jeff Rasley, Jeffrey Rasley

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“The Mad Room It’s where I go when I’ve lost my temper, my mind on fire, no way around or out of the chair on the dirt floor in the cellar. I’m not one to give into her pressure, as corporal punishment is all it’s about. It’s where I go when I’ve lost my temper. Why does it seem she relishes trouble? The soap in my mouth, the foamy shout, only the hard chair hears my whimper. It’s where I go when I’ve lost my temper. The bare light bulb hums, little doubt I will die alone, kids the curious spider. My bottled-up scream, I can never tell her comes from the fear of living without her love, not from her duty as a mother. The room closes in, but I don’t bother to move an inch. Everything is silent except the hiss of pipes, an angry mother. It’s where I go when I’ve lost my temper.”

LovePunishmentMother And Son
Author:Jim Frazee
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“It's been over a year since they've visited their son's market. As they walk through the parking lot they take in a number of improvements. Brian admires the raised garden beds made of cedar planks that flank the sides of the lot. There are stalks of tomatoes, staked beans, baskets of green herbs- oregano, lavender, fragrant blades of lemongrass and pointed curry leaf. The planter of baby lettuces has a chalkboard hung from its side: "Just add fork." A wheelbarrow parked by the door is heaped with bright coronas of sunflowers, white daisies, jagged red ginger and birds-of-paradise. Avis feels a leap of pride as they enter the market: the floor of polished bamboo, the sky-blue ceiling, the wooden shelves- like bookshelves in a library. And the smells. Warm, round billows of baking bread, roasting garlic and onions and chicken.”

ProduceFlowersHerbsSeasoningsScentsMarketMother And SonAvis MuirStanley Muir
Book:Birds of Paradise
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“At the sight of the dozen assorted cupcakes, as bright and optimistic as party hats, Louise's eyes lit up. "How wonderful!" she said, clapping her hands together again. I handed her one of the red velvet cupcakes that I'd made in the old-fashioned style, using beets instead of food coloring. I'd had to scrub my fingers raw for twenty minutes to get the crimson beet stain off them, but the result was worth it: a rich chocolate cake cut with a lighter, nearly unidentifiable, earthy sweetness, and topped with cream cheese icing and a feathery cap of coconut shavings. For Ogden, I selected a Moroccan vanilla bean and pumpkin spice cupcake that I'd been developing with Halloween in mind. It was not for the faint of heart, and I saw the exact moment in Ogden's eyes that the dash of heat- courtesy of a healthy pinch of cayenne- hit his tongue, and the moment a split-second later that the sugary vanilla swept away the heat, like salve on a wound. "Oh," he said, after swallowing. He looked at me, and I could see it was his turn to be at a loss for words. I smiled. Louise, on the other hand, was half giggling, half moaning her way through a second cupcake, this time a lemonade pound cake with a layer of hot pink Swiss meringue buttercream icing curling into countless tiny waves as festive and feminine as a little girl's birthday tiara. "Exquisite!" she said, mouth full. And then, shrugging in her son's direction, her eyes twinkling. "What? I didn't eat lunch.”

IngredientsFlavorsHahaCupcakesMother And SonRed VelvetAnnie QuintanaOgden Gertzwell
Book:How to Eat a Cupcake
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“The cotton was open and spilling into the fields; the very air smelled of it. In field after field as he passed along the pickers, arrested in stooping attitudes, seemed fixed amid the constant surf of bursting bolls like piles in surf, the long, partly-filled sacks streaming away behind them like rigid frozen flags. The air was hot, vivid and breathless--a final fierce concentration of the doomed and dying summer.”

SummerHarvestAtmospheric WritingSouthern SummerDescription WowCotton HarvestNature Description
Book:The Hamlet
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“In the open sky above the hushed streets, the moon was a porcelain plate on a black table as I walked home. A breeze raised the collar of my jeans jacket as I sliced through the silvery silence, past unlit buildings and quivering trees and cars idle by the curb. The air felt like glass. I crossed empty corners under the mauve light of overhead lamps.”

Night SkyWalking AloneAtmospheric WritingBrooklyn At Night
Book:Outerborough Blues: A Brooklyn Mystery
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“I had a feeling of deja-vu when, the next afternoon, Julian answered the door exactly as he had the first time, by opening it only a crack and looking through it warily, as if there were something wonderful in his office that needed guarding, something that he was careful not everyone should see. It was a feeling I would come to know well in the next months. Even now, years later and far away, sometimes in dreams I find myself standing before that white door, waiting for him to appear like the gatekeeper in a fairy story: ageless, watchful, sly as a child.”

Atmospheric Writing
Book:The Secret History
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“On my first night there, I sat on the bad during the twilight while the walls went slowly from gray to gold to black, listening to a soprano's voice climb dizzily up and down somewhere at the other end of the hall until at last the light was completely gone, and the faraway soprano spiraled on and on in the darkness like some angel of death, and I can't remember the air even seeming as high and cold and rarefied as it was that night, or ever feeling farther away from the low-slung lines of dusty Piano.”

Atmospheric Writing
Book:The Secret History
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