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Ronen Dancziger

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“Yet in the 1950s and '60s, a wide range of historians quickly and uncritically...[sought to] rule out of serious discussion of the American founding any suggestion that important, even defining, conflicts prevailed between rich, well-connected founders--those men of a variety of opinions of how government should work, who signed the Declaration of Independence and framed the U.S. Constitution--and the huge majority of unrich, ordinary Americans who--though we know so little about it--spent the founding era protesting, rioting, petitioning, occupying, and making demands on government in hopes of achieving access to economic development and restraining the power of wealth. That economic conflict wasn't between revolutionary Americans and British authorities. It was between Americans and other Americans. I've come to see it--not its resolution but the conflict itself--as defining our emergence as a people.”

“A stage adaptation of The Giver has been performed in cities and towns across the USA for years. More recently an opera has been composed and performed. And soon there will be a film. Does The Giver have the same effect when it is presented in a different way: It's hard to know. A book, to me is almost sacrosanct: such an individual and private thing. The reader brings his or her own history and beliefs and concerns, and reads in solitude, creating each scene from his own imagination as he does. There is no fellow ticket-holder in the next seat. The important thing is that another medium--stage, film, music--doesn't obliterate a book. The movie is here now, on a big screen, with stars and costumes and a score. But the book hasn't gone away. It has simply grown up, grown larger, and begun to glisten in a new way.”

“Living by your values isn't about grand, dramatic gestures. It's the everyday art of making small, consistent choices that reflect what you care about.”