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Quote by Laura Gentile

“No one could decrypt a mother better than her own children, who had shared her body and therefore knew all of her secrets, anxieties, shortcomings, and buttons to push. Estefania feared nothing more than the betrayal of someone she accommodated and gave life to with her scarce resources.”

Quote by Laura Gentile

Book:Within Paravent Walls

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Within Paravent Walls

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“Simultaneously, the child's life-mongering energy felt a metamorphosis within itself, having lost all matter and yet still being summoned by intoxicating ideas, an aching fluency of desires, a liberating rearranging buoyancy.”

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Book:Within Paravent Walls

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“When she reached out to the little girl in her, nothing erupted but the dense muteness of her own children in her belly. She felt helpless, alienated from her mirror-image, perceiving her body as a shallow vessel, possessed by human beings that she never met, draining her energy and suppressing her proper self, which she considered absent again.”

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“Suddenly, Gabriela felt an unusual hand on her shoulder, branding itself through her clothing. Someone leaned against her body. A head now lay on her shoulder, and blond-reddish strands of hair that were not hers fell over her chest. The hand was glisteningly white with a hint of gray and overflown with blue, halted seams, and rested on Gabriela's hand like a stone on sand.”

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Book:Within Paravent Walls

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“Why do you reduce art to an autobiography? Once a piece of art is concluded and ejected into the world it changes with every single pair of eyes and becomes an endless object of transformation. The spectator makes it his or her own. Don't decontextualize it and call it truth, call it your perspective.”

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Book:Within Paravent Walls

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“Estefania tried to deracinate the hostile voices that pottered around her mind, yet she felt threatened and paranoid, lamenting the state she had put herself in.”

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Book:Within Paravent Walls

Source: Within Paravent Walls

“She was now more than ever confronted with the outward cries of help that leaped at her like an overflowing bathtub where the water had grown cold and rancid. The catastrophe had caught up with her. It had always been there, a re-emerging siren in scarlet tones, a temptation of the abysmal artillery of the brain, a carousel waltzing with crazed horses, the heel-clicking and tap-dancing back chambers where arthropods lay on their carapaces.”

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Book:Within Paravent Walls

Source: Within Paravent Walls

“The boundaries were destroyed; it was all in the open, the rotting animal of her soul, the tickling sickness in the tumultuous cacophony in her mother's vibrating skull that spoke only to itself in everlasting distortions.”

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Book:Within Paravent Walls

Source: Within Paravent Walls

“By the time he painted Estefania's features, her appearance had already been hag-ridden and struck by sheer madness and delusion. But he still did what so many other male painters did before him; he created an idol.”

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Book:Within Paravent Walls

Source: Within Paravent Walls

“The triumph for Cameliano was that he found his truth of Estefania by disregarding hers, which had always been an established fact. But she deliberately embraced his intentions to cover it up.”

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Book:Within Paravent Walls

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“Ladies and Gentlemen, your history starts with your mothers and fathers, grandmothers and grandfathers. You may be swimming against the stream, or you may be holding on to those very roots, but whatever you are doing, you are never without them. Your lives are a reaction to them, good or bad; every love story contains six people from the very beginning, in one form or another. Replicate them, get rid of them, but they existed, and cutting off their influence is a lifelong struggle that not all of us survive wholeheartedly.”

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Book:Within Paravent Walls

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