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Quote by Jayita Bhattacharjee

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Jayita Bhattacharjee

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“Sasha remains silent as she cleans, unaware that as Travis leaves, another man is about to enter the scene. Soft music comes out of nowhere. A faint lullaby; a lively tune of romantic chords. ♫ ♫ "What's your name?" ♫ ♫ Martin sings with a voice so compassionate... so charming. Sasha immediately looks up, and Martin is standing right in front of her, almost in awe of her!”

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Book:The Characters Within
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“Christ's command to take the Gospel to the ends of the earth should inform and shape our theology of musical worship. It's unwise and unbiblical to think that churches in Bolivia, Indonesia, Uganda, and elsewhere must conform to an American definition of 'appropriate worship music'. When someone insists that we should only use 'the best music' to worship God, I scratch my head. Is the best music simple or complex, written or spontaneous, short or long? Do they mean the best aesthetically, pragmatically, emotionally, or historically? We usually already have in mind what we mean by 'best' and it often says more about our preferences than our theology. As I understand it, the 'best music' enables people to genuinely and consistently magnify the greatness of the Savior in their hearts, minds, and wills. (ch. 12)”

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Book:Worship Matters: Leading Others to Encounter the Greatness of God
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“So you’re both going in, maybe not exactly trading lines, but you’re both the leads. Like all of those girl rap duos that’ve been so big. You’re showing each other up, but you’re wanting the same thing…” He struck a pose. “Back to back at times, then facing each other, then one of you steps forward.” He did a confident walk across the room. “Push her behind with the fingers, a little bitchy, you know? But, you’re both there. You’re both killing it. You’re both showing the world how much fucking hotter it is to be 29 than it is to be 19”

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Book:Threes: 2
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