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Quote by Daniel Kemp

“A good thriller should have a captivating beginning, an engrossing middle and a dynamic ending. A great book would have all three but tell a story that sets the reader on edge as he or she listens to the heartbeat of the writer. © 2018, Danny Kemp All rights reserved.”

Quote by Daniel Kemp

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Daniel Kemp

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“For as I looked down to see what sort of people were about, I caught sight of a strange couple. A man of rather advanced years, judging by his back which was turned towards me, dressed in a thin, yellow swanskin jacket, pale blue trousers, heavy shoes and a little round hat, as he walked down the street. He was leading a girl, dressed no less oddly than himself in a brown cope which was draped about her shoulders almost like a toga. But the girl had so large a head, enough to startle anyone, that it kept causing people to stare at it. Both of them went their way at a moderate pace; but both were so clumsy and awkward that it was immediately evident they were not used to Vienna and that they were incapable of behaving like other folk.”

ViennaStrange CoupleTourmaline
Book:Tales of Old Vienna and Other Prose
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“Being doped is a pleasure you pay for. There was always opium there for the people -- in the end it tainted their whole faith. If the Church had not always stood so watchfully behind the ruling powers, there would not have been such attacks against everything it stood for -- although of course it may have been competing with them for the first place among the rulers, as in the Middle Ages. Whenever it was a question of keeping the serfs, and then the paid slaves down, the dope-dealers came unfailingly to the help of the oppressors.”

ReligionChristianityBorn AgainMarxFundementalism
Author:Ernst Bloch
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“Nietzsche asked in 1882: 'What is the point of all the art of our works of art if we lose that higher art, the art of festivals?' The brief moment of intoxication lures us off the via dolorosa. Such spectacles also asserted the underlying continuity of European society since the Renaissance, despite steam engine, trainm and telegraph. Such was the confidence in the homology between the present day and a supposedly integrated and self-assured sixteenth century that people were still willing, in donning costumes, to turn themselves into living works of art. (This was the bourgeois response to the fantasy of the socialist Fourier, who thought people could become living artworks if they disrobed.) The contrast between the costumes and the black-and-white everyday garb of 1879, a way of dressing as if designed to be photographed, was sharp. Fourteen thousand citizens took part in Makart's extravaganza, 300,000 more looked on.”

ArtCostumesNietzscheViennaFestivalFourierMakartRingstrasse
Book:A History of Art History
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“One of my father’s purposes in going to Vienna was to see a journalist by the name of Karl Kraus. I do not know what they discussed, though they probably concerned themselves with Jewish matters and quite possibly with the problem of the translation into literary German of the Yiddish poems of Moritz Rosenfeld, the New York garment worker-poet, whom father had ‘‘discovered.’’ I remember being taken into Kraus’s apartment in an old-fashioned Vienna apartment house, and there I remember what seemed to me a confusion and disorder which I have never seen equaled elsewhere.”

ViennaYiddish LiteratureKarl Kraus
Book:Ex-prodigy: My Childhood and Youth
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