Quotessence
Home / Quotes / Quote by Michael Grant

Quote by Michael Grant

“You let her get away?” Caine demanded, forgetting Sam for the moment. “I didn’t let her get away. They were in the room with me. The girl was pissing me off so I smacked her. Then they disappeared. Gone.” Caine shot a murderous look at Diana. Diana said, “No. She was months away from turning fifteen. And, anyway, her little brother is four.” “Then how?” Caine furrowed his brow. “Can it be the power?” Diana shook her head. “I read Astrid again on the way here. She’s barely at two bars. No way. Two people teleporting?” The color drained from Caine’s face. “The retard?” “He’s autistic, he’s like in his own world,” Diana protested. “Did you read him?” “He’s a little autistic kid, why would I read him?” Caine turned to Sam. “What do you know about this?” He raised his hand, a threat. His face inches from Sam’s, he screamed, “What do you know?” “Well. I know that I enjoy seeing you scared, Caine.” The invisible fist sent Sam sprawling on his back. Diana, for the first time, looked worried. Her usual smirk was gone. “The only time we saw teleporting was Taylor up at Coates. And she could only go across a room. She was a three. If this kid can teleport himself and his sister through walls…” “He could be a four,” Caine said softly. “Yes,” Diana said. “He could be a four.” When she said the word “four,” she looked straight at Sam. “He could be even more.” Caine said, “Orc, Howard: lock Sam up, tie him down so he can’t get that Mylar off his hands, then get Freddie to help you. He’s done plastering before, he knows what to do. Get whatever you need from the hardware store.” He grabbed Drake by the shoulder. “Find Astrid and that kid.” “How am I going to catch them if they can just zap out whenever they want?” “I didn’t say catch them,” Caine said. “Take a gun, Drake. Shoot them both before they see you.” Sam charged at Caine and plowed into him before he could react. The momentum carried them both to the floor. Sam headbutted Caine in the nose. Caine was slow to recover, but Drake and Orc swarmed over Sam and kicked him off Caine. Sam groaned in pain. “You can’t kill people, Caine. Are you crazy?” “You hurt my nose,” Caine said. “You’re screwed up, Caine. You need help. You’re insane.” “Yeah,” Caine said, touching his nose and wincing at the pain. “That’s what they keep telling me. It’s what Nurse Temple…Mom…told me. Just be glad I need to keep you around, Sam. I need to see you blink out, figure out how to keep it from happening to me. Orc, take this hero away. Drake: go.” “If you hurt them, Drake, I’ll hunt you down and kill you,” Sam shouted. “Don’t waste your breath,” Diana said to him. “You don’t know Drake. Your girlfriend’s as good as dead.”

Quote by Michael Grant

Book:Gone

Work

Gone

In this gripping novel, the protagonist confronts the dark side of human nature as they navigate a complex and unsettling situation. more

Author

Michael Grant
Michael Grant

Michael Grant is an American young adult author known for his distinctive narrative style and profound insights into social issues. His works often focus on the growth of teenagers and complex social topics, enjoying great popularity among readers. more

You May Also Like

“That’s very trusting.” Iris watches Anke search our backpacks. “We’re saving people’s lives. We thought we could be,”Anke says. I’m more fixated on her arm in my backpack than on what she’s saying, though. That bag is nearly empty, but it’s mine. She’s messing it up. Her hands might not even be clean. When she does stop, I immediately wish she hadn’t. “Denise,” she says, “I need to search your bed next.” My gaze flicks to my pillow. “I. I. Could I.” “She doesn’t like people touching her bed.” Iris stands, guarding me. “You’re touching it,” Captain Van Zand’s brother says. Iris shoots him a withering look. “I sat at the foot, which is the only place that’s OK for even me to touch, and I’m her sister.” Anke’s sigh sounds closer to a hiss. “Look, we have more rooms to search.” I squirm. No. Not squirm. I’m rocking. Back and forth. “Wait,” I say. “You can’t—” Iris goes on. “Just ’cause she’s too precious to—” the man argues. “Wait,” I repeat, softer this time, so soft that I’m not even sure Iris hears it. “Can I, can I just, wait. I can lift the sheets and mattress myself. You can look. Right? Is that good? Right? Is that good? If I lift them?” I force my jaw shut. No one says anything for several moments. I can’t tell if Anke is thinking of a counterargument or if she really is trying to make this work. Her lips tighten. “OK. If you listen to my instructions exactly.” “You’re indulging her?” Captain Van Zand’s brother says. “She’s just being difficult. Have you ever seen an autistic kid? Trust me, they’re not the kind to take water scooters into the city like she did.” “Denise, just get it done,” Anke snaps. I don’t stand until they’re far enough away from the bed, as if they might jump at me and touch the bed themselves regardless. I blink away tears. It’s dumb, I know that—I’m treating Anke’s hands like some kind of nuclear hazard—but this is my space, mine, and too little is left that’s mine as is. I can’t even face Iris. With the way she tried to help, it feels as though I’m betraying her by offering this solution myself. I keep my head low and follow Anke’s orders one-handed. Take off both the satin and regular pillowcases, show her the pillow, shake it (although I tell her she can feel the pillow herself: that’s OK, since the pillowcases will cover it again anyway)—lift the sheets, shake them, lift the mattress long enough for her to shine her light underneath, let her feel the mattress (which is OK, too, since she’s just touching it from the bottom) . . . They tell us to stay in our room for another hour. I wash my hands, straighten the sheets, wash my hands again, and wrap the pillow in its cases. “That was a good solution,” Iris says. “Sorry,” I mutter. “For what?” Being difficult. Not letting her help me. I keep my eyes on the sheets as I make the bed and let out a small laugh.”

“She unwinds her scarf, taking so long about it that I wonder if she expects me to respond. “You were following the rules,” I offer after a minute. It makes her words no more pleasant. Resentment. Was that how she’d looked at me? Then how am I supposed to trust how she looks at me now? My words elicit a thankful smile. “Mostly, though, I knew you could do the job. Did you ever know other autistic people?” I shake my head. I’d heard rumors about one teacher, but never asked him. Mom had encouraged me to find a local support group, but I’d never seen the appeal—or the need. It wouldn’t change anything. I had friends, anyway. Peopleonline, my fellow volunteers at the Way Station. I even got along with Iris’s friends. “Well, I did, and I feel like a fool for never recognizing your autism. I had autistic colleagues at the university. They were accommodated, and they thrived. One researcher came in earlier than everyone else and would stay the longest. I saw the same strengths in you once I knew to look for them. You’re punctual, you’re precise, you’re trustworthy. When you don’t know something, you either figure it out or you ask, and either way, you get it right. I wanted to give you the same chance my colleagues had, and that other Nassau passengers got. One of the doctors is autistic—did you know?” Els silences an incoming call. “Does that answer your question?”

“I mean: if you’re going outside to look for your sister, I get it.” Max goes silent. Maybe Mirjam’s death is hitting him now, maybe his voice will choke—but he goes on. “But if you’re going outside to help your mother . . .” He gestures helplessly at my injured arm. His fingers stop a centimeter away, hovering in midair. “Don’t risk it. Don’t risk you.” “She’s my mother.” “The captain will never let her on if she doesn’t even try. Not when there are so many people who haven’t had thechance to try. People we can use on the ship. People who have been on that waiting list forever.” There are a dozen things I want to say. But she’s mymother—as though that means as much as people pretend it does. She is trying, just in a different way—as though I’m convincing myself. I wasn’t on that waiting list, either. I might not be someone the ship can use, as much as I’m trying to be.”

“Clinical rhetorics present serious challenges to disability disclosure. To claim autism is to claim rudeness, silence, tactlessness, nonpersonhood; it is to invite doubting others to lay-diagnose or question one's rhetorical competence. And yet it is precisely these claims and challenges that buttress much of the autistic culture movement's embrace of public disclosure, of uncloseting one's autism.”