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Quote by Emma Mildon

“What is more transformative than the female form? What is more of a symbol of eternal growth and change than the Goddess? The eternal spiral of cre- ation. Coiled like a serpent, our shakti energy sits, waiting to be awakened within all of us. What our bodies and beings were built for. What we were created to do. Change. Create. Create the change.”

Quote by Emma Mildon

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Emma Mildon

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“Then there's the pillar statue in the semi-subterranean temple at Tiahuanaco [Bolivia]. Like the Totem Pole of Göbekli Tepe, it is anthropomorphic. Like the Totem Pole at Göbekli Tepe, it has serpents writhing up its side. Like the Totem Pole at Göbekli Tepe, the long fingers of its hands almost meet in front of its body. The face is human not animal, however, and it's heavily bearded. Nonetheless, the figure of an animal is carved on the side of its head and this animal resembles no known species more closely than it does Toxodon, a sort of New World rhino that went extinct during the cataclysms at the end of the Ice Age around 12,000 years ago. This isn't pareidolia--the figure is definitely there. So there's only one question--and it's difficult to answer: is this a depiction of Toxodon, or is it some creature of the artist's imagination?”

“Chapter One: The Dawn and the Dread Heartbeat, heartbeat comes from Valhallan way, To meet down in judgment, to ply its trade. Two →swords← to join in worthy cross, Actions to be rendered, one to be lost. She did come now from ’yond northern slope, A day of reckoning did she again once hope. A devout meeting was her qwesterly bane, To stay her hand was to go insane. St. Kari of the Blade to meet her past, A wicked enemy, peerless of match. Rode Kari she her charger on down, Past the Dead Land where Gaul sat crowned. A killing job, yea, she desired to lastly kill, To set things right so her heart might lie still. Upon the mist and roaring plain, She entered in, a soul uncontained. A fierce wind in deed, and forever freed, Enemies she annihilhates (’tis hur’ creed). Her own advanced guard of a sort, Multitudes to follow in her report. Know this Valkyrie from on cold, An ancient maiden soft and bold. A warrior spirit from Ages past, A fragmented mind like broken glass. Solid in stature this eternal framed being, Yet crippled within from internaled bleedings. A sword saint so refined in the poetic art, A noble character yet with a banshee’s heart. Rhythmed horse now to the beats, Kari emboldened amid the sleet. Beyond the mountain she does come, Unto southern fields wherein rules hot sun. Far from that murderous Deadlands ground, The land up swells; the dead still abound. Traverses she those bygones of leprous civilizations Those cities crumbled by the exhalted of oblivions. Stark traces etched now bare in the land, That are no more again, save dust in the hand. A cool stream now in desert sans (Does more good when one is damned). Stopped she her mount to admire the flow, A lovely stream with skeletons packed below. Blue air whisps; dragon flied motion. Flintsteel striking!!! Sparked of commotion. Cold water chortles rushtish with tint, Told of past carnage, it whetted her glint. Fallen warriors, they are no more, Swirls and eddies mark their discord. Gurgled shouts slung and gathered, Faces glazed while steel lathered. Refreshing though it was to her mouth, She smelled an air; she flared about. Came up that ridge of loud, sanded hill, Below a man and his half-score of kills. Kari’s eyes waxed in smug contempt, Possibilities ran deep with no repent . . . On Kari, Valkyrie, Cold Steel Eternity Vol. II”

“Chapter Six: Mistress of Red From underneath from hellish bowels, She lives the torment she shrieks and howls. A damned flame of volcanic intent, Seeks a city where her hatred may vent. Underneath the bow of vaulted earth, This spirit breaks from infernoed perch. Circles the span of inward woe, From beneath the caverns does she go. She seeks the city she may destroy, To lie in ruins for her ploy. From lofty plume of sordid ash, She delights to see her cuts and gash. Vulcania Draconis, spirit of bitter ’ire, Rings the earth with her dredful fires. Horrendous demon from Vulcan’s forge, Lays waste to the earth, her inhabitants engorged. Mighty Pompeii knew her ways, Scoffed at her threats and would not pay. In vindiction’s rage hissed she their doom, Cast them alive within their tombs. And Krakatoa and Mycenae, They would not yield, she laid them waste. An extortioness, royal supreme, To conquer or destroy, her consummate dream. How this evil one sets her pace, Rings sweet earth in her death’s nec-lace. Far from below she blasts her smoke, To cover their eyes until they choke. At her command cities fall and swell, Earthquake, tidal wave, gives masses to hell. This spirit from the blackest pit, Broods deep on those she kiss. She comes to seek those to enslave, To fuel her bowels, her booty in trade. The pride and ruination of nations and men, Seeks souls and bodies to ambition her ends. Now this licking creature of red-hot glow, Sends her heat to make fumerals. Damns the many and damns the one, As empires burn when her rage is done. A vengeful spirit, Draconis is, Smiles so pleasant as victims drop in. Opens her shotted eyes in mirth, To hear the screams of their heated death lurch. This diabolic holds much potent sway, Seeks for victims as ground gives way. She holds the riddle to the land, And holds it she must for her time is at hand. Had learned she now that Kari had come, That timeless conflict again begun. “Never did I see one I could not coerce, But now a convolcation of power, a tour de force.” Suppressed regret ruminated throughout, Yet shreds of fear left no doubt. “I will finish what was started here in mmy land, Beyond records treatise once we did stand. Past all memories, hmm, even so, Before myth began and Rome’s trumpets blowed. I will shatter her like earthenware because I mmust, She tasks mme this creature, mmy hate it is just. Wounded mme she did, her preysence calls, If nothing else, ha I will hurt her if I faullt.” On Vulcania Draconis, Kari's Diabolical Enemy Cold Steel Eternity Vol. ii”