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Quote by Kelly Loudenberg

“In October 2017, bombshell reporting from the New York Times and The New Yorker revealed that dozens of women, including high-profile actresses, had accused top film producer Harvey Weinstein of rape, sexual assault, and sexual harassment. The number of Weinstein accusers would eventually total more than eighty, with accusations that stretched back thirty years. Ten days after the story broke, actress Alyssa Milano tweeted, “If you’ve been sexually harassed or assaulted write ‘me too’ as a reply to this tweet.” Within twenty-four hours, more than 12 million social-media posts referenced #MeToo, and the viral social feminism campaign soon spread across eighty-five countries. Alyssa Milano quickly credited the phrase “#MeToo” to its originator, the activist Tarana Burke, who coined the phrase in 2006 as a way to raise awareness and promote solidarity among women of color who’d suffered sexual assault.”

Quote by Kelly Loudenberg

Book:Hollywood Vampires: Johnny Depp, Amber Heard, and the Celebrity Exploitation Machine
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Hollywood Vampires: Johnny Depp, Amber Heard, and the Celebrity Exploitation Machine

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Kelly Loudenberg

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“The first draft of the op-ed was generated by ACLU Communications Strategist Robin Shulman, who sent it to Amber and her team for review. Robin wrote Amber in an email, “I tried to gather your fire and rage and interesting analysis and shape that into op-ed form—with mentions of a few policies and a growing movement. I hope it sounds true to you.” She continued, “Your lawyer should review this for the way I skirted around talking about your marriage.” Earlier drafts included the words “restraining order,” “marriage,” and “divorce,” which were later scrapped. Eventually, the team settled on these eleven fateful words: “Two years ago I became a public figure representing domestic abuse.”

JournalismMetooMetoo MovementMedia StudiesJohnny DeppAmber HeardWashington PostAcluCelebrity TrialDomestic Abuse Alllegations
Book:Hollywood Vampires: Johnny Depp, Amber Heard, and the Celebrity Exploitation Machine
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“Neither was Amber an “everywoman.” She was a Hollywood celebrity with money, an armored truck and driver, a revolving door of lawyers, PR wizards, and media connections at the ready. Her existence was totally alien from the day-to-day lives of most domestic-violence victims. This doesn’t mean she couldn’t also be a victim of abuse—but she wasn’t a stand-in for other survivors. Society tends to use celebrities as vessels to carry every social examination, every social problem, every social ill. But celebrities aren’t the norm they aren’t representative of anything except celebrity. Amber said time and time again that she chose to speak up about Johnny’s abuse for those who don’t have a voice. But Amber hadn’t assumed a central role in the #MeToo movement on her own; she was aided and encouraged by powerful institutions like the ACLU and the Washington Post, which viewed her as an apt representative for the latest cause célèbre, betraying their own detachment from everyday victims. Throughout the trial and its aftermath, many sectors of the media held the line on this narrative, trumpeting Amber as a martyr for the movement and selling her experience as exemplary and relatable. In their analyses of the trial as a systemic failure and “the death of #MeToo,” they failed to see their own complicity in constructing a myopic, unrelatable notion of social justice.”

MediaPrivilegeRepresentationDomestic AbuseTrialJohnny DeppAmber HeardDepp V HeardAclu
Book:Hollywood Vampires: Johnny Depp, Amber Heard, and the Celebrity Exploitation Machine
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“The compensation question was where they had to deliberate the most. “Probably took three or four hours to just settle on a number,” Tom said. Some of the jurors wanted to give Johnny more, and others wanted to give him less. “Some people felt sorry that she probably wouldn’t have enough to pay him. Others said he probably won’t make her pay it all anyways. So let’s just make it what we think it should be, and not based on pity, right? We settled in the middle.” In terms of the one defamatory Adam Waldman statement awarded to Amber, in which he called her abuse allegations a “hoax,” Tom said they understood it was a contradictory verdict. “We talked about that a lot. We looked at the time that he made those statements versus after the fact knowing everything.” Tom said they thought Adam making those statements at that time, without true knowledge or evidence of a hoax, was defamatory.”

VerdictLibelDefamationJohnny DeppAmber HeardDepp V Heard
Book:Hollywood Vampires: Johnny Depp, Amber Heard, and the Celebrity Exploitation Machine
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“He said the jury noted these kinds of contradictions throughout Amber’s case—contradictions that accumulated week after week. They decided her story wasn’t just not believable, it was unbelievable, he said. “There are so many inconsistencies between what she said, what the pictures told and the story that was being prosecuted. There were so many holes in the story, it was hard for us to believe any of it.” The jury was made up of two women and five men. Tom said the women on the jury were tougher on Amber than the men. One male juror, whose name and juror number are unknown, spoke to Good Morning America soon after the verdict. He said Amber’s emotional testimony didn’t add up and they believed her to be the aggressor. “All of us were very uncomfortable . . . she would answer one question and she would be crying and two seconds later she would turn ice cold . . . some of us used the expression ‘crocodile tears.”

EvidenceAuthenticityTrialJohnny DeppAmber HeardDepp V HeardFalse Testimony
Book:Hollywood Vampires: Johnny Depp, Amber Heard, and the Celebrity Exploitation Machine
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“All of that stuff is true. All the other worlds that human beings believe in, via group myths or spiritual visitations or even imaginations if they're vivid enough, they exist. Imagining a world creates it, if it isn't already there. That's the great secret of existence: it's supersensitive to thought. Decisions, wishes, lies—that's all you need to create a new universe. Every human being on this planet spins off thousands between birth and death, although there's something about the way our minds work that keeps us from noticing. In every moment, we're continually moving in multiple dimensions—we think we're sitting still, but we're actually falling from one universe to the next to the next, so fast that it all blends together like . . . like animation. Except there's a lot more than just images flipping past.”

2020MultiverseBronca
Book:The City We Became
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“Dinin esasen ağırlıklı olarak korkuya dayalı olduğunu düşünüyorum. Bu kısmen bilinmeyene duyulan korkudur, kısmen de, tüm dertlerinizde ve sürtüşmelerinizde yanınızda duracak bir ağabeyinizin olduğunu hissetmeniz isteğidir. Korku bütün bunların temelidir; bilinmeyenden duyulan korku, yenilgi korkusu, ölüm korkusu. Korku, zalimliğin anasıdır, o yüzden din ile zalimliğin el ele gitmesi hiç garip değil. Bunun nedeni, bu iki şeyin temelinde korku olması.”

20201 Baskı Say Yayınları
Book:Why I Am Not a Christian and Other Essays on Religion and Related Subjects
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“I stepped somewhat apprehensively into 2020, unaware of what was to happen, of course, thinking little about the newly-emerged coronavirus, but knowing myself to be at a tipping point in my life. I had come so very far over the years, the decades, from my birthplace in the United Kingdom, to Thailand, Japan and then back to Thailand to arrive at an age—how had I clocked up so many turns under the sun?—at which most people ask for nothing more than comfort, security and love, or at least loving kindness. Instead, I was slowly extricating myself, physically and emotionally, from a marriage that had, over the course of more than a decade, slowly, almost imperceptibly, deteriorated from complacency to conflict, from apathy to antagonism, from diversity to divergence as our respective outlooks on life first shifted and then conflicted. Instrumental in exacerbating this had been my decision to travel as and where I could after witnessing my mother’s devastating and terminal descent into dementia. For reasons which even now I cannot recall with any accuracy, the first destination for this reborn, more daring me was Tibet, thus initiating a new love affair, this time with the culture and majesty of the Himalayan swathe, and the awakening within me of a quest for the spiritual. I had, over the years, been a teacher, a lecturer, a consultant and an advisor, but I now wanted to inspire and release my verbal and photographic creativity, to capture the places I visited and the experiences I had in words and images—and if possible to have the wherewithal of sharing them with like-minded people.”

RomanceCulturePersonal GrowthMemoirCovid 192020NepalHimalayasCross Cultural
Book:A Rainbow of Chaos: A Year of Love & Lockdown in Nepal
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