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Mort: (Discworld Novel 4)

In 'Mort: (Discworld Novel 4)', the story revolves around Mort, a human who is unexpectedly chosen to become Death's apprentice. The novel is known for its satirical take on the afterlife and the existential questions it raises. It is the fourth book in the popular Discworld series, written by Terry Pratchett. more

Author

Terry Pratchett
Terry Pratchett

Terry Pratchett was a British author renowned for his fantasy novel series, 'Discworld'. His works are appreciated for their unique humor and profound philosophical insights. Pratchett's contributions to literature extend beyond fantasy, encompassing science fiction, humor, and children's literature. more

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“[...] le principe consistant à chevaucher le tigre. Il peut alors signifier que lorsqu’un cycle de civilisation touche à sa fin, il est difficile d’aboutir à un résultat quelconque en résistant, en s’opposant directement aux forces en mouve­ment. Le courant est trop fort, on serait englouti. L’essentiel est de ne pas se laisser impressionner par la toute-puissance et le triomphe apparents des forces de l’époque. Privées de lien avec tout principe supérieur, ces forces ont, en réalité, un champ d’action limité. Il ne faut donc pas s’hypnotiser sur le présent ni sur ce qui nous entoure, mais envisager aussi les conditions susceptibles d’apparaître plus tard. La règle à suivre peut alors consister à laisser libre cours aux forces et aux processus de l'époque, mais en demeurant ferme et prêt à intervenir quand « le tigre, qui ne peut pas se jeter sur qui le chevauche, sera fatigué de courir ».”

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“people just are not good to each other one on one. the rich are not good to the rich the poor are not good to the poor. we are afraid. our educational system tells us that we can all be big-ass winners. it hasn't told us about the gutters or the suicides. or the terror of one person aching in one place alone untouched unspoken to watering a plant. people are not good to each other. people are not good to each other. people are not good to each other. I suppose they never will be. I don't ask them to be. but sometimes I think about it.”

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“Movies were America’s way of softening up the rest of the world, Hollywood relentlessly assaulting the mental defenses of audiences with the hit, the smash, the spectacle, the blockbuster, and, yes, even the box office bomb. It mattered not what story these audiences watched. The point was that it was the American story they watched and loved, up until the day that they themselves might be bombed by the planes they had seen in American movies.”

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