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Quote by Sarah Dessen

“a song can take you back instantly to a moment, or a place, or even a person. No matter what else has changed in you or the world, that one song stays the same, just like that moment. Which is pretty amazing, when you actually think about it.”

Quote by Sarah Dessen

Work

Just Listen

This book explores the transformative effects of music on the lives of its characters, highlighting themes of emotional healing and self-discovery through the medium of song. more

Author

Sarah Dessen
Sarah Dessen

Sarah Dessen is an American bestselling author known for her young adult novels. Born on June 6, 1970, she has written numerous books focusing on teenage girls' coming-of-age stories, exploring themes of family, friendship, love, and self-identity. Her works are praised for their emotional depth and realistic character portrayals, often appearing on The New York Times bestseller list. Dessen graduated from the University of North Carolina at Chapel Hill and currently lives in North Carolina with her family. Her notable works include 'Just Listen,' 'Along for the Ride,' and 'The Moon and More,' which have been translated into multiple languages and gained a global readership. more

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“By the sweet power of music: therefore the poet did feign that Orpheus drew trees, stones and floods; since nought so stockish, hard and full of rage, but music for the time doth change his nature. The man that hath no music in himself, nor is not moved with concord of sweet sounds, is fit for treasons, stratagems and spoils; The motions of his spirit are dull as night and his affections dark as Erebus: Let no such man be trusted. Mark the music.”

“The Dave Matthews Band’s “Crash into Me” played over the montage, not that the lyrics had anything to do with the images the song was played over but it was “haunting”, it was “moody”, it was “summing things up”, it gave the footage an “emotional resonance” that I guess we were incapable of capturing ourselves. At first my feelings were basically so what? But then I suggested other music: “Hurt” by Nine Inch Nails, but I was told that the rights were sky-high and that the song was “too ominous” for this sequence; Nada Surf’s “Popular” had “too many minor chords”, it didn’t fit the “mood of the piece,” it was – again – “too ominous.” When I told them I seriously did not think things could get any more fucking ominous than they already were, I was told, “Things get very much more ominous, Victor,” and then I was left alone.”