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Soundtrack Quotes

Browse 7 quotes about Soundtrack.

Soundtrack Quotes

“The movies, I thought, have got the soundtrack to war all wrong. War isn't rock 'n' roll. It's got nothing to do with Jimi Hendrix or Richard Wagner. War is nursery rhymes and early Madonna tracks. War is the music from your childhood. Because war, when it's not making you kill or be killed, turns you into an infant. For the past eight days, I'd been living like a five-year-old — a nonexistence of daytime naps, mushy food, and lavatory breaks. My adult life was back in Los Angeles with my dirty dishes and credit card bills.”

“The Dave Matthews Band’s “Crash into Me” played over the montage, not that the lyrics had anything to do with the images the song was played over but it was “haunting”, it was “moody”, it was “summing things up”, it gave the footage an “emotional resonance” that I guess we were incapable of capturing ourselves. At first my feelings were basically so what? But then I suggested other music: “Hurt” by Nine Inch Nails, but I was told that the rights were sky-high and that the song was “too ominous” for this sequence; Nada Surf’s “Popular” had “too many minor chords”, it didn’t fit the “mood of the piece,” it was – again – “too ominous.” When I told them I seriously did not think things could get any more fucking ominous than they already were, I was told, “Things get very much more ominous, Victor,” and then I was left alone.”

“There are some who relish the quiet life. Free of the frantic and discord. I used to be one of them; until my life got loud and dramatic, down right unbearable at moments. And now I love the volumes of my life. The adagio of my heart’s beating or the metronome of the rainfall. How can one expect to live without the welcome of the bird’s chirp in the morning or the night’s vehement winds pounding our window pane? The sound of joy, heartbreak, ecstasy. It is all for the fine tuning of our soul. We learn to calibrate the sounds of life. No more sensitivity, but making it all music. Go ahead, appreciate the soundtrack of your life. It makes for good dancing too.”

“How strange it was that the music people favored defined them in so many ways—what they liked, what they rejected, what stuck with them from their school years, what they kept, what they burned into memory, what they let go. How was it that what they heard in a single decade—for most, their second on the planet—encoded a set of remembrances that stayed with them forever? It was simply commercial output, a business after all, nothing more than that—song factories a few years removed from Tin Pan Alley. It wasn’t Beethoven or Mozart, but it was glue—happy and sad, lived and imagined, the soundtrack of youth became the soundtrack of peoples’ lives.”